FUTURISTIC, TENSION-Based INSTRUMENTAL CUES (WIP)

[MattCurious]

Hey guys,

Here's my opening gambit on the futuristic-tension listing: https://soundcloud.com/matt_curious/201 ... -1/s-7xpIA

The listing is below but I've also included it in the Soundcloud description, for ease.

Thanks
Matt

FUTURISTIC, TENSION-Based INSTRUMENTAL CUES are needed by a really large media company for placements in several projects, including hit cable TV shows, other shows on their own network, and online media. This rapidly growing industry giant is building its own Exclusive, In-House Music Library and will pay an initial buyout fee of $250 for 100% of the Composition and Master rights. On top of the per track fee, you will also keep 100% of the Writer’s share of the publishing and make applicable performance income. Please take a listen to the references the client gave us to get an idea of the range of styles that could work for this pitch:

“Stranger Things Main Theme” by Survive: https://www.youtube.com/watch?v=FpHNlx0pPIU

“Mr. Robot Main Theme” by Mac Quayle: https://www.youtube.com/watch?v=DfqlbHadp40

“Blindspot Theme” by Blake Neely: https://www.youtube.com/watch?v=u2hDqHtVfSA

Please submit well-crafted Instrumental Cues that have current-sounding, electronic and orchestral elements, and deliver a feeling of expectancy and anticipation. Craft your Cue around a simple melodic theme that’s engaging and suspenseful, while gradually adding electronic elements to create space, dynamics, and interest as your Cue progresses. Having dark, ambient, futuristic synth pads will work best for creating that ominous, moody vibe they’re after. Don’t throw the kitchen sink at this. Keep your Cues simple and remember that mood is king, and sticking with one mood and motif from top to bottom will make them love you.

All submissions should be at least 2:00 minutes in length and Non-Faded endings. Do NOT copy or rip off the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).

This new, Exclusive, In-House Library will pay an initial buyout fee of $250 for 100% of the Composition and Master rights. On top of the per track fee, you will also keep 100% of the Writer’s share of the publishing and make applicable performance income. This Library offers an EXCLUSIVE deal, so the music you submit for this pitch CANNOT be signed with any other publishers or catalogs. Please submit 1-3 Instrumental Cues Online or per CD. All submissions will be screened on a yes/no basis and must be received no later than 11:59PM (PST), on Sunday, January 22nd, 2017. TAXI # Y170122FT

- See more at: http://www.taxi.com/industry.php#sthash.1ztHb2Ns.dpuf

[daveydad]

I think it's perfect!

[MattCurious]

Thanks, David - let's hope the screener agrees!

[ronnie35]

Matt I believe you nailed it
Ron

[Telefunkin]

Hi Matt,
Fantastic job. I thought I was listening to one of the example tracks (a la's) its so good.
I'd risk a week's beer money on a forward, and I only drink to excess ...........just kidding
Seriously though, I'd be proud of that track.

[MattCurious]

Thanks, guys! Let's see how it does. I have another one in progress that I'll share if it's done in time.

[mrdtman]

Nice Matt.

Love the textures and layers.

Sounds like a forward to me.

DT

[Alasdair]

Love the track mat. good luck

I would be disappointed if it didn't make it through, whats your pass rate like? if you dont mind me asking. newbie here

[MattCurious]

Thanks, guys - I'm about halfway through the second one. It's not quite gelling yet.

Alasdair - I wouldn't become overly focused on Forward rates, if I were you. Mine is quite high for 2016 because I didn't pitch very often, and then only in areas where I'm reasonably strong. This year I'm going to pitch more often and more widely, and my rate will be lower. Also, I have a high Forward rate but no placements. The numbers don't really tell you anything. Just concentrate on getting good and improving your own hit rate - don't get into making comparisons (unless it's for the purpose of referencing tracks

[shenrichs]

Matt, nice clean track and on target. I'm working on one for this listing too - good to hear someone else' take on it.