Sallier
I don't know what listing you submitted this for, but here's the reality. What you have here isn't at all ready for prime time as far as pitching to labels, publishers, film/TV libraries, etc. There's a reason why song structures work both musically and lyrically and why the screener made that comment. Without structure, songs get dull, repetitive, and possibly unfocused. And demo quality does matter nowadays since your competing with thousands and thousands who have home studio setups and produce excellent broadcast quality recordings. The sound quality, production, vocal performance (expressive, not pitchy), etc. all matter.
BTW, I listened to another song on your RN page, "Something In Your Eyes Has Changed". That has a wonderful Dylan-esque feel to it. I think you have a knack for that Dylan style. No, you would never get a label deal today but a song like this, with tweaks, well recorded and performed could be a great Film/TV song. Film/TV often looks for "replacement" tracks-- songs that sound true to a given era to use in scenes that take place at that time (e.g. the 1960's).
My advice would be forget about label deals. They are incredibly hard to come by for ANYONE anyway and you'd have to have a fresh (or copycat, I admit), youthful sound with kick butt songwriting and recordings. Similarly, it would be hard for you to pitch songs to publishers for artists to record.
However, if you change your mind and want to pursue Film/TV, you could work within your niche area. The key would be honing the songwriting, and learning the production and performance side... Or collaborate with others here who can add the production and performance side. Don't be offended if you are not the right one to sing your own songs.
If you don't think you want to adapt, you could contact Taxi and ask for a refund. I can't speak to what their exact policy is but I'm told that in your first membership year, you can get a refund.
Hope this was helpful.
Best,
Casey