TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E-O
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- tompatt
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TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E-O
Forwards from new Cues.
Broken Light:
https://soundcloud.com/pattbeats/broken-light
TENSION-BASED ORCHESTRAL INSTRUMENTAL CUES by a NON-Exclusive Music Library with tons of great placements. They’re on the hunt for suspenseful, foreboding, Down-to-Mid-Tempo instrumental Cues that you’d hear in tension-filled moments in shows like Person Of Interest, The Blacklist, Blindspot, etc., etc., etc. “Playing By The Rules” from Person Of Interest (0:00 to 3:30): https://www.youtube.com/watch?v=2chLmcZ5zxM “Red, Betrayed and Bereft” from The Blacklist (0:00 to 1:00): https://www.youtube.com/watch?v=XCNxSQAzZnw “Who Is Jane Doe…Really?” from Blindspot (0:08 to 3:33): https://www.youtube.com/watch?v=SPAX3mLaqC8 Please submit nail biting, Tension-inducing Instrumental Cues with fresh, current sounding samples, sounds, and production techniques that create an unsettling vibe throughout. Your Cues should deliver forward momentum with the layering of instrumentation to keep them from sounding too linear or one-dimensional
Behind The Mask:
https://soundcloud.com/pattbeats/behind-the-mask
TENSION-BASED, MINIMAL UNDERSCORE CUES are needed by a successful Production Music Library that's signed and placed lots of music for TAXI members. They're on the hunt for suspenseful, Down-to-Mid-Tempo Instrumental Cues that you'd hear in tense moments in shows like Quantico, The 100, How to Get Away With Murder, etc., etc., etc. Please listen to the following references to get a general idea of what could work for this pitch: Quantico (0:43 to 1:31): https://www.youtube.com/watch?v=4i616OU3SVM The 100 (0:00 to 1:13): https://www.youtube.com/watch?v=cJV1ext0sRE How to Get Away With Murder (9:02 to 10:36): https://www.youtube.com/watch?v=JRu4gtQfmeU Please submit subtle, tension-filled Instrumental Underscore Cues that use fresh, current sounding samples and production techniques to create a great bed of uneasy tension. Be sure your Cues deliver forward movement with the layering of various elements and instrumentation to keep them from sounding too linear or one-dimensional.
Floating Log:
https://soundcloud.com/pattbeats/floating-log
OMINOUS, ELECTRONIC/ORCHESTRAL HYBRID INSTRUMENTAL CUES are needed by an active, successful Production Music Library. They’re in need of Down-to-Mid-Tempo Instrumental Cues that would fall into that category with well-known composers like: Trent Reznor and Atticus Ross, Hans Zimmer, Harry Escott, etc., etc., etc. Listen to the references below to get a good feeling for what this library is looking for: “Technically, Missing” by Trent Reznor & Atticus Ross: https://www.youtube.com/watch?v=Ocx2wwxHQFE “Journey To The Line” by Hans Zimmer: https://www.youtube.com/watch?v=fnooGOhLIdM “Unraveling” by Harry Escott: https://www.youtube.com/watch?v=q9MZUeeg2Ug Please submit textural, layered Instrumental Cues that are built around electronic and orchestral elements. Your Cue needs to have a dark, moody, ominous tone that evokes a sense of worry and distress. Start your Cue off sparsely, then build it up and down using synth arpeggios and percussion too give it a sense of dynamics and some forward momentum. Please stick to a singular motif throughout your Cue to keep your submission emotionally and thematically cohesive.
Broken Light:
https://soundcloud.com/pattbeats/broken-light
TENSION-BASED ORCHESTRAL INSTRUMENTAL CUES by a NON-Exclusive Music Library with tons of great placements. They’re on the hunt for suspenseful, foreboding, Down-to-Mid-Tempo instrumental Cues that you’d hear in tension-filled moments in shows like Person Of Interest, The Blacklist, Blindspot, etc., etc., etc. “Playing By The Rules” from Person Of Interest (0:00 to 3:30): https://www.youtube.com/watch?v=2chLmcZ5zxM “Red, Betrayed and Bereft” from The Blacklist (0:00 to 1:00): https://www.youtube.com/watch?v=XCNxSQAzZnw “Who Is Jane Doe…Really?” from Blindspot (0:08 to 3:33): https://www.youtube.com/watch?v=SPAX3mLaqC8 Please submit nail biting, Tension-inducing Instrumental Cues with fresh, current sounding samples, sounds, and production techniques that create an unsettling vibe throughout. Your Cues should deliver forward momentum with the layering of instrumentation to keep them from sounding too linear or one-dimensional
Behind The Mask:
https://soundcloud.com/pattbeats/behind-the-mask
TENSION-BASED, MINIMAL UNDERSCORE CUES are needed by a successful Production Music Library that's signed and placed lots of music for TAXI members. They're on the hunt for suspenseful, Down-to-Mid-Tempo Instrumental Cues that you'd hear in tense moments in shows like Quantico, The 100, How to Get Away With Murder, etc., etc., etc. Please listen to the following references to get a general idea of what could work for this pitch: Quantico (0:43 to 1:31): https://www.youtube.com/watch?v=4i616OU3SVM The 100 (0:00 to 1:13): https://www.youtube.com/watch?v=cJV1ext0sRE How to Get Away With Murder (9:02 to 10:36): https://www.youtube.com/watch?v=JRu4gtQfmeU Please submit subtle, tension-filled Instrumental Underscore Cues that use fresh, current sounding samples and production techniques to create a great bed of uneasy tension. Be sure your Cues deliver forward movement with the layering of various elements and instrumentation to keep them from sounding too linear or one-dimensional.
Floating Log:
https://soundcloud.com/pattbeats/floating-log
OMINOUS, ELECTRONIC/ORCHESTRAL HYBRID INSTRUMENTAL CUES are needed by an active, successful Production Music Library. They’re in need of Down-to-Mid-Tempo Instrumental Cues that would fall into that category with well-known composers like: Trent Reznor and Atticus Ross, Hans Zimmer, Harry Escott, etc., etc., etc. Listen to the references below to get a good feeling for what this library is looking for: “Technically, Missing” by Trent Reznor & Atticus Ross: https://www.youtube.com/watch?v=Ocx2wwxHQFE “Journey To The Line” by Hans Zimmer: https://www.youtube.com/watch?v=fnooGOhLIdM “Unraveling” by Harry Escott: https://www.youtube.com/watch?v=q9MZUeeg2Ug Please submit textural, layered Instrumental Cues that are built around electronic and orchestral elements. Your Cue needs to have a dark, moody, ominous tone that evokes a sense of worry and distress. Start your Cue off sparsely, then build it up and down using synth arpeggios and percussion too give it a sense of dynamics and some forward momentum. Please stick to a singular motif throughout your Cue to keep your submission emotionally and thematically cohesive.
- artturner
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Re: TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E
Every one of these is great stuff. Really nailed the moods! Good luck with the forwards.
- tompatt
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Re: TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E
artturner wrote:Every one of these is great stuff. Really nailed the moods! Good luck with the forwards.
Thanks Art
Yes, need luck with my forwards.
28 forwards so far (since January).
Most of those are Tension Cues. Is it more diff to get a deal with Tension Cues?
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Re: TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E
Really nice track from beginning to end. Congrats.
Henry
Henry
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Re: TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E
I think so Tom! I think this genre is overpopulated and probably lies dormant until that serendipitous day when a Supe hears your track and says... "This is the one!"... It will happen
Keep rocking these great cues man!
Fuller
Keep rocking these great cues man!
Fuller
"Vision will get you where you want to go, values will determine if you like yourself when you get there!"
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- tompatt
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Re: TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E
Thanks for your encouraging words, Fuller.
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Re: TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E
Hi Tom,
All 3 are solid pieces of work and worthy of forwards for sure! Composed well, production solid, and captured the mood of each listing. Really well done.
cheers
st
All 3 are solid pieces of work and worthy of forwards for sure! Composed well, production solid, and captured the mood of each listing. Really well done.
cheers
st
- tompatt
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Re: TENSION-B, ORCHESTRAL / TENSION-B, MINIMAL / OMINOUS, E
Thank you Steve, Thank you Henry!
Appreciate it.
Appreciate it.
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