DOH! You're right. Three zeros is 1000 isn't it!kclements wrote:Actually, I think 1000 millions a billion.mazz wrote:A million million is a billion, right?
I'm a musician, I can count to 4. I can do 5 under duress!!
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DOH! You're right. Three zeros is 1000 isn't it!kclements wrote:Actually, I think 1000 millions a billion.mazz wrote:A million million is a billion, right?
When writing a business plan, knowing these figures is probably good because part of a business plan is laying out the playing field of the business which requires some analysis of the market, competition, etc.Dwayne Russell wrote:I think for us the question should be how many opportunities are there for us be it cable, films etc..Len911 wrote:http://www.census.gov/econ/industry/def/d711510.htm
Be careful before you get too excited, I mean models, taxidermists, etc. are lumped into the same category,lol!
That is the figure that would matter most to start with.
How long?Casey H wrote: Hi Dwayne
I guess I should have said it's info that's been 'out there' a long time and a lot of people are aware of...
I have no idea how to define "too many"...
Casey
Dwayne Russell wrote:How long?Casey H wrote: Hi Dwayne
I guess I should have said it's info that's been 'out there' a long time and a lot of people are aware of...
I have no idea how to define "too many"...
Casey
The point in the article originally posted said that recently there has become too many composers in our field. If it has been that way for a long time then I'm confused.
I don't think it is so obvious that the number of composers is increased. If it has then what about the supply of work?
Has the music supply increased more than the amount of demand for music?
If I were to guess, which is all we are doing here, I would guess that the supply is increasing BECAUSE of the demand. That's not a bad thing is it?
What can a composer going to do to set his music apart? I have had stuff that I thought was crap get selected and used so many times. So maybe what I could do is put in more crap!mazz wrote:
If one is starting a hamburger joint in a sea of McDonald's, one will have to find something that sets them apart from McDonald's so when folks get hungry they think of the little guy first. If a potential hamburger seller was to go on market alone, they would close their business plan and find something else because Wendy's, Burger King, McDonald's would seem to have the market tied up. So the entrepreneur has to have something unique that the big guys don't have, believe passionately enough to be the David in Goliath-land, and be agile enough to respond to feedback from the market.
Just a thought
Find out what about it they liked. How was it used? The clients think way differently than we do as musicians, often we're too close to it to hear what they are hearing.Dwayne Russell wrote:What can a composer going to do to set his music apart? I have had stuff that I thought was crap get selected and used so many times. So maybe what I could do is put in more crap!mazz wrote:
If one is starting a hamburger joint in a sea of McDonald's, one will have to find something that sets them apart from McDonald's so when folks get hungry they think of the little guy first. If a potential hamburger seller was to go on market alone, they would close their business plan and find something else because Wendy's, Burger King, McDonald's would seem to have the market tied up. So the entrepreneur has to have something unique that the big guys don't have, believe passionately enough to be the David in Goliath-land, and be agile enough to respond to feedback from the market.
Just a thought
Over the past 5-10 years, due to home studio technology, the number of composers has increased dramatically.Dwayne Russell wrote:How long?Casey H wrote: Hi Dwayne
I guess I should have said it's info that's been 'out there' a long time and a lot of people are aware of...
I have no idea how to define "too many"...
Casey
The point in the article originally posted said that recently there has become too many composers in our field. If it has been that way for a long time then I'm confused.
I don't think it is so obvious that the number of composers is increased. If it has then what about the supply of work?
Has the music supply increased more than the amount of demand for music?
If I were to guess, which is all we are doing here, I would guess that the supply is increasing BECAUSE of the demand. That's not a bad thing is it?
If it makes me money then I dont care what they call me.mazz wrote:Find out what about it they liked. How was it used? The clients think way differently than we do as musicians, often we're too close to it to hear what they are hearing.Dwayne Russell wrote:What can a composer going to do to set his music apart? I have had stuff that I thought was crap get selected and used so many times. So maybe what I could do is put in more crap!mazz wrote:
If one is starting a hamburger joint in a sea of McDonald's, one will have to find something that sets them apart from McDonald's so when folks get hungry they think of the little guy first. If a potential hamburger seller was to go on market alone, they would close their business plan and find something else because Wendy's, Burger King, McDonald's would seem to have the market tied up. So the entrepreneur has to have something unique that the big guys don't have, believe passionately enough to be the David in Goliath-land, and be agile enough to respond to feedback from the market.
Just a thought
Maybe you can become Dwayne "King of Crap" Russell!!
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