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edmondredd
- Serious Musician
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- Location: Canada
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by edmondredd » Wed Jan 24, 2024 8:07 am
Hey John,
As Paulie mentioned earlier, the trailer music market is highly competitive; a nice melodic tune is simply not enough; production should be on par with commercially viable music on the market, if not better.
Again, you have a really solid foundation, and I really like your music.
Here are a few tips that might help you, in no particular order:
- When you see the word Neo-Classical, this implies a smaller ensemble, a quartet, or a chamber orchestra as opposed to a big ensemble. The use of a solo violin or a viola should be prominently featured.
- The marcato articulation, although short, tends to be longer than the spiccato. You want to look for some type of drive and the fastest possible articulation.
- Don't be shy about using non-orchestral instruments such as hits, wooshes, and synths to fatten up your sounds. At the end of the day, you need to have a trailer-style instrumental and not a classical piece of music.
- There are different instruments in the orchestra other than the string section; make use of them.
- Don't play the strings as a keyboard player would, but rather look into chord voicings and string arrangements.
I hope that helps.
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johndalenow
- Committed Musician
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- Joined: Wed Apr 11, 2018 11:33 am
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by johndalenow » Wed Jan 24, 2024 10:31 am
edmondredd wrote: ↑Wed Jan 24, 2024 8:07 am
Hey John,
As Paulie mentioned earlier, the trailer music market is highly competitive; a nice melodic tune is simply not enough; production should be on par with commercially viable music on the market, if not better.
Again, you have a really solid foundation, and I really like your music.
Here are a few tips that might help you, in no particular order:
- When you see the word Neo-Classical, this implies a smaller ensemble, a quartet, or a chamber orchestra as opposed to a big ensemble. The use of a solo violin or a viola should be prominently featured.
- The marcato articulation, although short, tends to be longer than the spiccato. You want to look for some type of drive and the fastest possible articulation.
- Don't be shy about using non-orchestral instruments such as hits, wooshes, and synths to fatten up your sounds. At the end of the day, you need to have a trailer-style instrumental and not a classical piece of music.
- There are different instruments in the orchestra other than the string section; make use of them.
- Don't play the strings as a keyboard player would, but rather look into chord voicings and string arrangements.
I hope that helps.
Most insightful and greatly appreciated remarks. Thanks, edmondredd.
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