how do you get this keyboard sound? OCEANS 11,12,13
Moderators: admin, mdc, TAXIstaff
- andygabrys
- Total Pro
- Posts: 5567
- Joined: Sun Jan 02, 2011 10:09 pm
- Gender: Male
- Location: Summerland, BC by way of Santa Fe, Chilliwack, Boston, NYC
- Contact:
Re: how do you get this keyboard sound? OCEANS 11,12,13
thanks everybody for chiming in on this one!
Irresistible Custom Composed Music for Film and TV
http://www.taxi.com/andygabrys
http://soundcloud.com/andy-gabrys-music
http://www.andygabrys.com
http://www.taxi.com/andygabrys
http://soundcloud.com/andy-gabrys-music
http://www.andygabrys.com
- mojobone
- King of the World
- Posts: 11837
- Joined: Sat May 17, 2008 4:20 pm
- Gender: Male
- Location: Up in Indiana, where the tall corn grows
- Contact:
Re: how do you get this keyboard sound? OCEANS 11,12,13
A Hammond organ produces a series of sine waves; a fundamental, based on the the key that you press, and a number of "harmonics" of related pitch, which are controlled by the drawbars, (as is the fundamental, which in most registrations is labeled 8') in amounts according to how far the drawbars are pulled out. The percussion note is based on the second or third harmonic and sounds rather like a marimba; (it has a fast decay, unlike the sine waves which last as long as a note/key is held) only the first-struck note gets the percussion layer; (and no new percussion note will trigger as long as a key is still held down) Hammond players tend to use this feature to accentuate notes within a line. (only the first note struck within a chord or diad will have the percussion note) THAT's how you know it's either a Hammond or a good emulator.mojobone wrote:That's just a Hammond with percussion and delay; it sounds funky because the delayed repeats are coming back at about the same speed as the thumb gliss.

- mazz
- Total Pro
- Posts: 8411
- Joined: Sat Nov 11, 2006 6:51 am
- Gender: Male
- Location: San Francisco
- Contact:
Re: how do you get this keyboard sound? OCEANS 11,12,13
Yeah, the percussion on a real Hammond is monophonic. Another trick is to turn off all the drawbars and only have the percussion on. That could very well be the way this sound was created.
An example of a similar sound created with a clavinet is the intro to Stevie Wonder's "You Haven't Done Nothin" from the classic album Fufillingness' First Finale. Of course the Moog bass line from Boogie on Reggae Woman off the same album is unbelievable, but that's another subject!!!
An example of a similar sound created with a clavinet is the intro to Stevie Wonder's "You Haven't Done Nothin" from the classic album Fufillingness' First Finale. Of course the Moog bass line from Boogie on Reggae Woman off the same album is unbelievable, but that's another subject!!!

Evocative Music For Media
imagine if John Williams and Trent Reznor met at Bernard Hermann's for lunch and Brian Eno was the head chef!
http://www.johnmazzei.com
http://www.taxi.com/johnmazzei
it's not the gear, it's the ear!
imagine if John Williams and Trent Reznor met at Bernard Hermann's for lunch and Brian Eno was the head chef!
http://www.johnmazzei.com
http://www.taxi.com/johnmazzei
it's not the gear, it's the ear!
Who is online
Users browsing this forum: No registered users and 4 guests