Minimalist Japanese Cue
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- Merryband1
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Minimalist Japanese Cue
I put up a listening request earlier for my two instrumentals, but this one I wrote directly to the listing below for an instrumental cue. Please let me know if you think I should use a different setting for the shakuhachi (flute). I really had to work with the program to get the koto in the middle!! Any other thoughts are welcome, too.
Thanks for listening!
And thanks, Peter Funsongs for alerting me that the share link didn't work. This one should, I hope!
Merry
Shinjitsu o Motomete (Seeking for Truth)
Several MINIMALISTIC, TRADITIONAL JAPANESE INSTRUMENTAL CUES are needed by a successful International Music Licensing Company with global distribution through a huge music conglomerate!
TAXI Tip: Want to be a standout with little competition in a particular genre in this company's catalog? Here's your chance! Less competition = More possible placements!
This company is searching for Instrumental Cues in the general ballpark of (but not limited to) these references:
"Pass, Oh Pass (Toryanse)" by Hiroe Yonekawa
"Yamaji" by Yamato Ensemble (from 0:00 until 4:45)
"Soran-Bushi" by Toshiko Yonekawa
Please submit Instrumental Cues that capture the essence of Traditional Japanese music in a sparse and minimalistic way. Your Cues should have authentic-sounding rhythms, melodies, and instrumentation. Incorporating traditional instruments like the Taiko, Koto, or Shakuhachi could help your pieces feel more authentic. If you're using any virtual instruments to replace organic ones, they need to sound like the real thing – nothing stiff or obviously MIDI-driven will work, here. Build your Cues around a simple motif, and create a subtle sense of movement and dynamics by layering instruments in and out as they progress. Remember, simple is best for this pitch!
Quoting the Company: “We are looking for Cues that are sparse and somewhat simple. Only 4 to 6 instruments maximum. Keep them simple and try to introduce some edit points along the tracks. Very high bar, in terms of realism. Meaning, if any of the instruments sound too 'MIDI' then the Cues should be rejected.”
Your submissions need to be around 2 minutes long (nothing that runs 3 or 4 minutes, please) with non-faded, buttoned endings. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.
This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, February 13th, 2021. TAXI Dispatch # D210213JN
TAXI # D210213JN
Thanks for listening!
And thanks, Peter Funsongs for alerting me that the share link didn't work. This one should, I hope!
Merry
Shinjitsu o Motomete (Seeking for Truth)
Several MINIMALISTIC, TRADITIONAL JAPANESE INSTRUMENTAL CUES are needed by a successful International Music Licensing Company with global distribution through a huge music conglomerate!
TAXI Tip: Want to be a standout with little competition in a particular genre in this company's catalog? Here's your chance! Less competition = More possible placements!
This company is searching for Instrumental Cues in the general ballpark of (but not limited to) these references:
"Pass, Oh Pass (Toryanse)" by Hiroe Yonekawa
"Yamaji" by Yamato Ensemble (from 0:00 until 4:45)
"Soran-Bushi" by Toshiko Yonekawa
Please submit Instrumental Cues that capture the essence of Traditional Japanese music in a sparse and minimalistic way. Your Cues should have authentic-sounding rhythms, melodies, and instrumentation. Incorporating traditional instruments like the Taiko, Koto, or Shakuhachi could help your pieces feel more authentic. If you're using any virtual instruments to replace organic ones, they need to sound like the real thing – nothing stiff or obviously MIDI-driven will work, here. Build your Cues around a simple motif, and create a subtle sense of movement and dynamics by layering instruments in and out as they progress. Remember, simple is best for this pitch!
Quoting the Company: “We are looking for Cues that are sparse and somewhat simple. Only 4 to 6 instruments maximum. Keep them simple and try to introduce some edit points along the tracks. Very high bar, in terms of realism. Meaning, if any of the instruments sound too 'MIDI' then the Cues should be rejected.”
Your submissions need to be around 2 minutes long (nothing that runs 3 or 4 minutes, please) with non-faded, buttoned endings. Do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.
This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with any other Libraries or Catalogs. Please submit as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Saturday, February 13th, 2021. TAXI Dispatch # D210213JN
TAXI # D210213JN
Last edited by Merryband1 on Sat Feb 06, 2021 9:35 pm, edited 1 time in total.
- funsongs
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Re: Minimalist Japanese Cue
That link didn't work; if it's set to PRIVATE, you gotta grab the "share" link.
Peter Rahill - aka "funsongs"
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- Merryband1
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Re: Minimalist Japanese Cue
Thanks, Peter; I'll fix that!
Merry
Merry
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Re: Minimalist Japanese Cue
Yep - works fine now. Sorry I can't offer any expertise about the genre; but the overall mix sounds well balanced.
HTH. I'm interested to read other comments and/or Screener reviews.
Good luck.
HTH. I'm interested to read other comments and/or Screener reviews.
Good luck.
Peter Rahill - aka "funsongs"
NOW, back on YouTube (2022)
https://www.youtube.com/@peterrahill9263/featured
https://soundcloud.com/funsongs-1
https://peterrahill.bandcamp.com/
“The future aint what it use to be.” - Yogi Berra
NOW, back on YouTube (2022)
https://www.youtube.com/@peterrahill9263/featured
https://soundcloud.com/funsongs-1
https://peterrahill.bandcamp.com/
“The future aint what it use to be.” - Yogi Berra
- Merryband1
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Re: Minimalist Japanese Cue
Thanks again for the help, Peter! I'll know how to share private tracks from now on.
Merry
Merry
- superkons
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Re: Minimalist Japanese Cue
I do not really hear a koto, and you did mention of yangqin (can totally hear a "hammer" sound, not a "plucked" one), but really you should replace that with a koto.
You could play occasionally lower notes with your shakuhachi, after all its range is about 2 and a half octaves
You could play occasionally lower notes with your shakuhachi, after all its range is about 2 and a half octaves
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- Merryband1
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Re: Minimalist Japanese Cue
Thank you, Marco! I'll see what I can do. That yangqin instead of koto was concerning me, too.
Merry
Merry
- superkons
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Re: Minimalist Japanese Cue
My pleasureMerryband1 wrote: ↑Mon Feb 08, 2021 3:11 pmThank you, Marco! I'll see what I can do. That yangqin instead of koto was concerning me, too.
Merry
If they request Japanese instrumentals, you do not give them Chinese instruments hehe
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- Merryband1
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Re: Minimalist Japanese Cue
Is this better, Marco? I didn't have a koto in my virtual instruments collection, so I finessed (I hope) something to sound like a shamisen... Of course, that meant I had to change a few notes here and there... At least you can hear the plectrum, and I hope the frequency response is right...superkons wrote: ↑Mon Feb 08, 2021 6:37 pmMy pleasureMerryband1 wrote: ↑Mon Feb 08, 2021 3:11 pmThank you, Marco! I'll see what I can do. That yangqin instead of koto was concerning me, too.
Merry
If they request Japanese instrumentals, you do not give them Chinese instruments hehe
Shinjitsu o Motomete revision
PS if it doesn't sound right, there's a site with a shamisen/koto synth combo that I ask about in the Technology thread. ShamiKoto I just don't know whether to trust the company or not or if anyone has had a good or bad experience with them that they'd care to share...
Merry
- superkons
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Re: Minimalist Japanese Cue
It sounds much better, now. Performances of shamisen and shakuhachi are as common as those with shakuhachi and koto, so you are good. Just beware of those octave jumps in your shakuhachi, it is better if you do a quick run than a straight jump upwards.Merryband1 wrote: ↑Tue Feb 09, 2021 1:34 amIs this better, Marco? I didn't have a koto in my virtual instruments collection, so I finessed (I hope) something to sound like a shamisen... Of course, that meant I had to change a few notes here and there... At least you can hear the plectrum, and I hope the frequency response is right...superkons wrote: ↑Mon Feb 08, 2021 6:37 pmMy pleasureMerryband1 wrote: ↑Mon Feb 08, 2021 3:11 pmThank you, Marco! I'll see what I can do. That yangqin instead of koto was concerning me, too.
Merry
If they request Japanese instrumentals, you do not give them Chinese instruments hehe
Shinjitsu o Motomete revision
PS if it doesn't sound right, there's a site with a shamisen/koto synth combo that I ask about in the Technology thread. ShamiKoto I just don't know whether to trust the company or not or if anyone has had a good or bad experience with them that they'd care to share...
Merry
Also, I found many recommend this koto library https://impactsoundworks.com/product/koto-nation/
Marco - Pianist, keyboardist, composer for film/TV/games/media
https://musicalwizardry.com
https://soundcloud.com/marcoiannello
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