Orchestral Tension Cue #2

davekropf · Post by **davekropf** » Wed Jul 26, 2017 6:01 am

Hello again, everyone! Here's a second tension-building orchestral cue for the currently listed search.

https://soundcloud.com/davekropf/dont-even-breathe

I leaned more towards the Zero Dark Thirty side of the references for this one. Also, I'm not 100% happy with the cello sound and am still tweaking it for realism.

Edit: Final Version off to screeners.

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TENSION-BUILDING INSTRUMENTAL UNDERSCORE CUES are needed by a NON-Exclusive Music Library that’s supplying music to a hit HBO TV show. They’re on the hunt for great Instrumental Cues that can generally match the vibe, style, and serious intensity of these references we got from the library:

Sicario Soundtrack - The Border: https://www.youtube.com/watch?v=tREkYd7B2Fs

“Area 51” by Alexandre Desplat: https://www.youtube.com/watch?v=mFTDNRdjTyE

Sicario Soundtrack - The Beast: https://www.youtube.com/watch?v=Hdm5EkaPdeY

Please submit well-crafted Instrumental Cues that have a serious tone/mood, yet are somewhat subtle, and can still move a scene forward. If your Cue can add some tension to a scene without being busy or frenetic, you could be in the ballpark! Build your submissions around a simple, focused melodic theme, while adding and subtracting various instruments as it progresses to give your Cue some interest, dynamics, forward movement and to keep it from sounding overly repetitive.

TAXI Tip: The examples above are really your best guide for this pitch, but they’re not looking for clones!

Your Cues should be approximately 90 seconds long, give or take. Non-faded endings with a natural decay/ring out are recommended. This TV Series has a high standard for the music they use, so please make sure to submit your very best material for this pitch! Broadcast Quality is needed (great sounding home recordings are fine).

This Library offers a NON-Exclusive 50/50 deal. You’ll get 50% of any applicable sync fees and 100% of the Writer’s share. The Publisher will get 50% of any sync fees and 100% of the Publisher’s share. You must own or control your Master and Composition to submit to this pitch. Please submit one to three Instrumental Cues online or per CD. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Tuesday, August 8th, 2017. TAXI #S170808SI

GuitarKit · Post by **GuitarKit** » Wed Jul 26, 2017 7:00 pm

Maybe more tensions in the melody. for the cello. What about root b3 root 5 root b3 root then b2 instead major 2.
The harmonies in the orchestra later are maybe a little too nice as well. Perhaps some more tension there as well.
It's going to be a challenge to get the gliss in the cello to sound natural.

Still, your stuff that I've heard sounds really good. It's certainly inspiring me to up my game.

ecurb · Post by **ecurb** » Wed Jul 26, 2017 10:21 pm

Hi Dave,

Sounds very immersive and polished to me... though I agree that the cello slides don't seem quite right. Not sure what instruments you're using or what sort of fine control you have over them, I think they mostly just sound a bit too uniform, in terms of overall speed and how smoothly on target they start and stop, to be quite believable.

Melodically - yeah, you do have a slightly sweeter and more obvious tune in there than any of the examples. (I'm struggling to avoid the same thing myself while working on this listing by the way!)

Great sounding piece again in any case, thanks for sharing.

Bruce.

davekropf · Post by **davekropf** » Thu Jul 27, 2017 5:42 am

Thanks for the feedback! I like the b2/phrygian suggestion in the melody line. I'll give that a shot this afternoon when I'm back in the studio.

I do have a cello player friend coming over to lay down a live cello line on top of the MIDI strings to hopefully sell them a little better. She often needs percussion services, so it's a nice trade off!

P.S. I'm using VSL SE Cello along with Embertone Blakus Cello for that melody line.

davekropf · Post by **davekropf** » Thu Jul 27, 2017 8:55 am

New version up.

https://soundcloud.com/davekropf/dont-e ... v3/s-U5vsU

Now with more minor 2nds!!

ecurb · Post by **ecurb** » Thu Jul 27, 2017 10:10 pm

That definitely casts a darker shadow. Nice bit of collusion that

Love the effect of the fuller chords in the progression that you bring in at around the minute mark by the way... I think they are a bit more structured and firm, if that makes sense, than most of what's in the alas. But they work really well.

Bruce.

davekropf · Post by **davekropf** » Fri Jul 28, 2017 4:38 am

Thanks, Bruce!

davekropf · Post by **davekropf** » Mon Jul 31, 2017 7:25 pm

Had a cello friend swing by to lay down a cello line across the top. I'm very happy with the results!

https://soundcloud.com/davekropf/dont-e ... v4/s-sPgaM

Dave

LOCK88 · Post by **LOCK88** » Tue Aug 01, 2017 4:48 pm

Why can't I get Native Instruments Cello to sound like this...LOL. Love the track & title, very fitting. The cello is hair raising, the icing on the cake. Well done Dave. I need a friend with a cello!!

davekropf · Post by **davekropf** » Tue Aug 01, 2017 4:51 pm

LOCK88 wrote:Why can't I get Native Instruments Cello to sound like this...LOL. Love the track & title, very fitting. The cello is hair raising, the icing on the cake. Well done Dave. I need a friend with a cello!!

Lol, right?! It adds SO much to the sound of the cue to have just one live instrument.

While she was here I even had her lay down some stuff for a new track: https://soundcloud.com/davekropf/forens ... v2/s-DCY59.

Orchestral Tension Cue #2

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