TIME FOR TAXI TO DIG A LITTLE DEEPER

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TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by clarketheshark » Wed Sep 28, 2011 9:58 am

:?:
Dear Sirs

Now that I have come to the end of my second annual membership of Taxi, I would like to share with you a story.

Many years ago two men got together and decided to establish an organisation to promote the work of songwriters in general. The one guy was Bob and the other Bill.
They established a system whereby the entertainment industry presented them with their requirements and they forwarded these requirements to their members (songwriters) on a regular basis. Bob and Bill would then charge these members a nominal fee for each submission and evaluate whether these submissions were worthy or suitable to send on to the industry in each specific case.

Over time business boomed for Bob and Bill. Many submissions were sent for every industry request but very few were forwarded to the industry because Bob and Bill, who now had a panel of judging “experts” working with them, were very strict about which submissions they forwarded.
This of course didn’t affect business for Bob & Bill because, of course, they received their submission fee for every song anyway. And annual membership fees from every member.
And they started to grow rich.
But slowly Bill started to become restless about this system because he had heard, and turned away, so many brilliant songs simply because they didn’t suit the very specific industry needs for which they were submitted. So he approached his partner Bob with his concerns. But Bob just brushed him aside by reminding him of how much money they were making.
Time went by and one day Bill was alone in the office when he received a song called “Yesterday” by a young British composer. He was so moved by the quality of the song that he actually wept quietly in his office. But during the selection meeting the next day the song was rejected on the grounds of not being suitable for the listing. Bill left the meeting with a heavy heart.
It wasn’t long after that when a song called “American Pie” came in from a local writer. Bill immediately recognised it for what it was; a sure-fire hit. But, once again it was rejected as not being suitable for the customer’s requirements.
By this stage Bill was at his wits end and decided to talk to his partner again about the possibility of a more inclusive system. And once again Bob, fat and happy and living the high life, reminded him of “the bottom line”.
But Bill had had enough. He told Bob that his conscience could not stand it anymore and that he was leaving to go out on his own with an idea for a more equitable
system.
He duly established a similar business called Perfect Pitch which also represented songwriters, but operated on a broader basis. He too entertained industry listings and evaluated submissions for these listings, but he went one step further. Instead of rejecting obviously high quality songs on the basis of them not being suitable for one, narrow listing, he kept the very best of the submitted songs and created a premium, categorised library for the entire industry to access. In order for the industry to access this “treasure chest” of great original songs the industry players had to be paying members of Perfect Pitch and he charged the selected composers an annual fee for having their songs in the library. In this way he generated income on a few different levels. But more importantly, never again did he have to turn away songs that were obvious gems.
In time Bill’s business boomed and it wasn’t long before all of Bob’s members moved over to Perfect Pitch. Sadly, Bob eventually had to close his business, but Bill was kind enough to give him a job at Perfect Pitch.
Over the years Perfect Pitch gathered and launched some of the greatest original songs of all time and gave exceptional songwriters a genuine platform on which to prosper.

This story is obviously a parable and may be better served by the following analogy.

What you guys at Taxi are doing is pouring diamonds into a funnel, the spout of which only allows passage of ONE particular diamond. So the rest get thrown away.
Why are you doing this? Simple. Because you make money from each diamond that is placed in the funnel.
But consider this. What if one of the diamonds that didn’t fit the funnel’s spout was “American Pie”, “Yesterday” or “Simply the Best”?
With your system, those classic songs would possibly never be heard again.
Would it not be better to select the best of the diamonds and store them for general industry players to sift through? It makes perfect logical sense.
But no, you won’t do this because you would lose your “cash cow”.

Think about it.

I am one of South Africa’s most successful songwriters and I sign off from TAXI for the final time full of doubts and scepticism. I am sorry.
Nevertheless, I wish you well.

Yours sincerely

DON CLARKE
Monkeyshine Music
Underberg
South Africa

.

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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by admin » Thu Sep 29, 2011 5:18 pm

Hi Don,

Sorry to see you go. I read your entire post. Nice parable, and I'm sure it accurately reflects how you FEEL, but it doesn't reflect reality.

I listened to every one of your songs, and while many are nice, many are heartfelt, and none of them are horrible, they aren't what the contemporary marketplace is after. I'm telling you this from my heart, so please take it in that light: I don't doubt that you have talent, and I believe that you got an honorable mention in a song contest and have won some in South Africa. But it's EXTREMELY rare that song contest winners or their songs are chart toppers in a major market. I'm not saying that it's NEVER happened, but it's very, very rare.

Labels and publishers aren't exactly waiting on the edge of their seats to hear the winning song from the latest contest.

And again from my heart: While I also believe that you are one of the most successful songwriters in South Africa, I would have to ask the question, "During what years?" I've known MANY HUGE songwriters who have incredible resumes in the PAST, but haven't had a hit in 20 or 30 years because what they write sounds like it could have been a hit in an ear gone by. I know it's heartbreaking for those writers, and I know that it breaks MY heart on their behalf.

People who know me well know that I have a deep and abiding love of great songs and the writers who write them. I love nothing more than hearing a song that makes the hair on my arm stand at attention. All of us at TAXI CRAVE the next great song. Trust me when I tell you that when we hear an amazing song that doesn't fit a particular listing, we don't shrug our shoulders and say, "Oh well."

We personally hand them off to A&R people and publishers who we think will love them too. We do everything we can to help our members get deals. We just don't publicize it because ALL members would want that for EVERY song of theirs they think is the next "American Pie."

Our biggest success story ever (as measured in millions of dollars) was for two great guys named Adam Watts and Andy Dodd. Their membership had EXPIRED, yet our V.P. sent their song to a producer, and the rest, as they say, is history. Adam and Andy's songs have been on more than 50,000,000 CDs sold and countless movies and TV shows because of ONE TAXI forward, and they weren't even members at the time their song got forwarded by us.

Might we have missed a COUPLE? Sure! Who in the music industry hasn't. It's a subjective industry. Did ALL of our experts miss YOUR genius on ALL of your songs? Were they ALL wrong ALL the time? What are the odds of that?

As to your inference that I'm in this for the money... you don't know me. You don't know the person I am or the people on my staff. You're just frustrated and you're blaming us for your lack of success. It's not the first time THAT's happened, and it won't be the last.

But don't attempt to give me or this company a public flogging because you didn't have success and think you should have. I think you're probably a very nice guy whose frustration got the better of him ad you made this post to make yourself feel better, or to hurt TAXI's reputation. By virtue of seeing only two posts here from you in two years, I'm making an educated guess that's the case.

Have you been to our convention? Have you networked and collaborated with our talented members on this incredible forum? Do you watch TAXI TV? Or do you just keep doing what you did 20 years ago when you had success in South Africa and blame the messenger when TODAY's news isn't what you want to hear?

For the record, the submission fees are money in, money out. We pay the screeners about $1,000,000 per year in aggregate. As to the membership fees, have you ever owned a business with a staff of ten, a 5,000 sq. ft. office, magazine ads, Internet ads, phone bills, electric bills, insurance, travel, tech staff, sponsorships, TAXES, 25 computers, accounting fees, legal fees, etc., etc., etc.? The line items on the EXPENSE side of my of my monthly financial report take up TWO pages using an 11 point font!

It's simplistic and demeaning to infer that I'm in this for the money. I worked 80.5 REAL hours last week, and I don't get paid by the hour or get overtime. I was in the office at 6am a few of those days, and left as late at 1:38am the next morning, only to come back to work at 8:30 later that same morning. Yes, I earn a good living, and I earn every penny of it by giving every ounce of my soul to this company and the members who use it.

Your parable also doesn't include the THOUSANDS of members who had never earned a plug nickel with their music in their lifetimes, and now, because they use TAXI, read the listings carefully, take advantage of the wealth of information on this forum, on TAXI TV, and at the Road Rally, they are living their dream, being recognized for THEIR hard work, and earning income with their music for the first time ever! THOSE are the people I worked those 80 hours for!!

And it's THOSE members who I respectfully give a link to your music, and ask them to reply here as to whether or not we missed any HITS of yours. I'm not asking if they LIKE any of your songs. I'm asking if they hear any songs that would be HIT SONGS in today's market.

http://www.taximusic.com/hosting/home.p ... =donclarke

Don, I have a feeling you're a good and decent man, and we'd like each other if we met. But I can't let a public post infer that I'm something I'm not or that TAXI doesn't do its job well, without responding in public. BTW, I COULD have deleted this post, or not approved it and it would have never seen the light of day. I hope that tells you something, and I want you to know that I also sincerely wish you well.

Good luck in the future,
Michael

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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by sedge » Thu Sep 29, 2011 7:22 pm

Hey Michael, perhaps your marketing for Taxi is too good : )

Don, your email did no favours for yourself or your tunes before I even read Michaels reply,

If I really felt like I had wrote a "hit", I would not have the time to write an essay on why 1 company was unable to make me cash with it..

1) you can ship your music anywhere you like these days
2) after the first year at Taxi, you can ask to get all your membership fee back if your really not happy

You have just shown everyone on the internet what happens when you spit your dummy out and it doesn't look great bud!

I am a nobody but something I do know from personally knowing/living with people, 1 of who have had a huge no1 chart spot here in the UK, that there is no "big" day the bell of stardom goes off, that's the first illusion they had to shrug off.
bc as soon as we think the bells going to go off, we make a new bell to chase...learn that and you will find your dummy doesn't fly out as far and you will stop blaming other people dude! Don't wreck the life the love man!
Last edited by sedge on Thu Sep 29, 2011 7:44 pm, edited 1 time in total.

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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by Len911 » Thu Sep 29, 2011 7:40 pm

Don, "Kick It Up" sounds like a nice "Men at Work Tune". The "parable" was hard to swallow as a parable because for one it contained some obvious falsehoods about a few songs and how they came about. The parables I've read tend to follow some sort of inherent truth. I was reminded of an Aesop fable, "The Fox and the Grapes" though. I can understand your frustration. I was a member for a year and realized I needed to do more work. I think if I ever do get to the place where I am truly satisfied with the music I write, I will present it until I find an audience for it, I'm not there yet. :( I respect that everyone either likes, dislikes, forwards or returns, fits or doesn't fit. I don't control that and neither would I want to, because I have my own preferences as well. On the other hand, if this is a business advice post, pardon me, because I really don't like business,lol, I had one and failed, so I'm certainly not in a position to give any advice!!
https://soundcloud.com/huck-sawyer-finn
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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by sedge » Thu Sep 29, 2011 7:51 pm

man, Im getting anoyed here haha...

Don, in your studio in the "drakensburg mountains" with shots of expensive guitars and stuff behind you- trying to say Taxi is not good!

try living at my house trying to make songs on 1 guitar after doing a day Job, grr mad now I even spent the time to offer help

sorry Michael I don't want to offer crit on the tunes

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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by ottlukk » Thu Sep 29, 2011 9:01 pm

Mr. Clarke: You should be aware that "Monkeyshine Music" leads to links for a cover band. I would appreciate it if you would provide links to the songs you have been so successful with as a songwriter, so I can listen to them. Thanks in advance. Ott

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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by clarketheshark » Thu Sep 29, 2011 10:56 pm

Hey Guys, thanks for the replies.
Firstly, I'm surprised that my post was misconstrued as being "bitter" or, as the one guy said: "spitting out the dummy". In my country we would say; throwing the toys out the cot. I really am not bitter because I have no cause to be. I have hardly submitted anything to TAXI in the last year so I have no reason to complain.
I am merely trying to point out to TAXI a way that they may be more expansive. It's just a suggestion. I'm not some poor little songwriter hacking away at my craft and growing more bitter and twisted by the day. I am fully entrenched in the industry here with two studios (one in The Drakensberg & one in Johannesburg), my own label and my own publishing business. I've been in the industry for more than 30 years, so I'm not expecting TAXI to change my life.
Having said that, the sad thing is that the songs I do have on my site are very old demos and do sound dated from an ARRANGEMENT point of view. Remember it is ONLY arrangement that dates a song because a song is only MELODY + LYRICS. It's a contemporary arrangement that will render a song contemporary. But the truth is that I am so busy producing commercial albums for established artists in this country and writing for films that it is a long time since I have produced a modern demo of one of my spec songs. So I'm really not complaining about Michael's comments on the demos I have on site right now. He is right.
I'm sorry that you consider my post to be "doing me no favours", but I am only expressing an opinion about TAXI's system, not complaining about my lack of progress with TAXI. And I'm very pleased to hear that TAXI does pass on great songs to A&R people in general. This is my very point, but I just didn't know that. Well done!
Finally, I wish you and all your members the very best.
DON CLARKE

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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by Kolstad » Thu Sep 29, 2011 11:53 pm

What I love about Taxi is the direct allignment with the market. That is really helpful to me, and I've learned a ton from my membership. The fact that my songs are not parked on a shelf anywhere, but evaluated and distributed to those who is asking for specific material, whatever the use is for artists, film, tv, games ect.

I belive an expansion of that model into something not as alligned with the market, as I'm hearing you're suggesting, Don, is not to any writer/producer/artist's advantage. That is what others are doing. Saying they loove your music, take your money and store it on a shelf, because they can love your music all they want, make you feel good, but sweet talk won't buy anyone a lunch!

Taxi on the other hand, is alive and vibrant being in touch with music industry needs in REAL TIME, and exactly that is the big attraction for me. I would not want that any other way.
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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by sedge » Fri Sep 30, 2011 12:19 am

clarketheshark wrote:I am merely trying to point out to TAXI a way that they may be more expansive. It's just a suggestion.
In short your essay is saying that ;

if Taxi hear a tune they think has great possibilities somewhere when screening a listing BUT the song does not meet the requirements of the listing they bin it"

This question has been asked many times on this forum and answered many times on here, on Taxi TV and again with Michaels post here, the answer is that Taxi DO keep music that doesn't fit a listing.

"Time for Taxi to Dig A little Deeper" should read "Time for Taxi to dig a little deeper into my music" - which Michael has done here for you.

If it is that you are posting here for the benefit of us musicians and not yourself
clarketheshark wrote:I'm not some poor little songwriter hacking away at my craft and growing more bitter and twisted by the day. I am fully entrenched in the industry here with two studios (one in The Drakensberg & one in Johannesburg), my own label and my own publishing business
then use what you have/know to help us guys

( edit: removed unnecessary early morning ramble )
Last edited by sedge on Fri Sep 30, 2011 12:48 am, edited 2 times in total.

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Re: TIME FOR TAXI TO DIG A LITTLE DEEPER

Post by suzdoyle » Fri Sep 30, 2011 12:22 am

Don, have you read your post carefully? It implies very directly that Taxi is "in it for the money" and not providing a valuable service -- which couldn't be farther from the truth.

I've been a Taxi member for five years and can attest to the generosity of spirit, open-hearted-ness and integrity of everyone I've met and interacted with, from Michael to industry insiders and fellow composers. I've witnessed firsthand, both personally and in fellow Taxi members, growing success in the music industry, thanks to Taxi's commitment to educating its members about the realities of honing one's craft as a composer/ musician in alignment with what the music industry is looking for.

Thus, reading a post like yours that attempts to paint Taxi as unethical or corrupt (whether accidental or intentional) makes me think you really haven't experienced this amazing community of people. Thanks to Taxi, I make my living as a full-time composer, as do many of my fellow Taxi co-horts and friends -- and I have forged life-long, authentic friendships and professional support systems with a diverse array of talented composers around the world.

Perhaps your experience was different than ours, but I feel deeply grateful for this amazing community that, in my experience, operates from a place of utmost integrity, compassion and concern for the well-being of its members.

In summary, Taxi is the real deal, and serves it's members well.

Sincerely,
Suz

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