3 FORWARDS; Vintage spanish Rock, Big Epic Trailer and and Investigative Tension,

[senmusic]

Hello Everybody, happy to share with you this 3 recent forwards, I composed the Spanish Rock song when I had my rock group back in 1994..long time ago.

https://soundcloud.com/sergio-naranjo-s ... os-muertos


VINTAGE SPANISH ROCK SONGS Recorded in the 1980s or 1990s are needed by an A-List Film and TV Music Publisher. We’re not providing any references for this request, as they want to keep this pretty open. If your music is from the 1980s or 1990s and reflects the vibe and style of the Spanish Rock being released during that time, then you’re probably on to something! If your music is a cross between Latin/Spanish and some of the other edgier Rock genres (Heavy Metal, Punk) then it may just work for this pitch! NOTE: They’re looking for vocal performances that are only in Spanish, so make sure your delivery is confident, authentic, and compelling. The recording quality is not expected to be on par with today’s broadcast quality! Many TAXI members have been signed by this publisher with nothing more than good demo recordings! They’re much more interested in finding music that sounds authentic to the time period! TAXI Tip: You can submit old masters or demos for this pitch! This company often averages several placements per week, and many of those are TAXI members who’ve been signed with this company because they submitted to a listing like this! Dozens of TAXI members have signed buyout deals with this company, and several have even received up front checks for $10,000 - $15,000 (or more!) Deal sizes and buyout amounts vary depending on the quantity and quality of the songs signed by the Publisher. They DO NOT want material that was recently recorded and made to sound old. They can only use AUTHENTIC, ORIGINAL, VINTAGE RECORDINGS. As long as the sound quality is reasonably good, then this is a golden opportunity to make money with music you might have thought had no hope in today’s market! Your name needs to be on the copyright. Your songs need to be original compositions (no covers), and you need to own or control the copyright and master recordings to submit for this pitch. DO NOT SUBMIT FOR FRIENDS! Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – Short Critiques only. Submissions must be received no later than 11:59PM (PDT), on Thursday, August 9th, 2018. TAXI #Y180809SR


https://soundcloud.com/sergio-naranjo-s ... trailers-1

BIG, EPIC, ACTION-Y TRAILER-Style INSTRUMENTALS are needed by a very successful, EXCLUSIVE A-List Music Library for a variety of TV, Film, Trailer, Promo, and Commercial placements. They’re on the hunt for Full-Length, Mid-to-Up-Tempo Instrumentals that have the general style and vibe of the following references: Marvel Studios' Avengers: Infinity War - Official Trailer https://www.youtube.com/watch?v=QwievZ1Tx-8 Robin Hood Official Trailer #1 (2018): https://www.youtube.com/watch?v=3L77LFfyqCg VENOM - Official Trailer https://www.youtube.com/watch?v=u9Mv98Gr5pY Give them exceptional compositions that sound like a real-deal, Hollywood-esque Theatrical Trailer, consistent with the level of quality, style, and impact of current Blockbuster Trailers. Your submissions should have instrumentation such as (but not limited to) drum hits, orchestral instruments, coupled with electronic and sound design elements like leads, risers, and pads (Choir elements are welcome for this request as well!). NOTE: Be sure your Orchestral instrumentation sounds are very convincing, and please avoid anything stiff or obviously MIDI-driven for this pitch. Your submissions should be around 2- 3 minutes long, with Non-Faded, Buttoned/Stinger endings. Please Do NOT copy the referenced acts or songs in any way, shape, or form. Use them only as a general guide for tempo, tone, feeling, and vibe. Broadcast Quality is needed. This Library offers an EXCLUSIVE deal, so the material you submit for this pitch CANNOT be signed with any other publishers or catalogs. Sync fees will be split 50/50. The Publisher will get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Songs as you’d like, online or per CD. All submissions will be screened on a Yes/No basis - Short critiques only. Submissions must be received no later than 11:59PM (PDT), on Saturday, July 28th, 2018. TAXI #Y180728TI


https://soundcloud.com/sergio-naranjo-s ... orchestral


NVESTIGATIVE TENSION INSTRUMENTAL CUES are needed by a Music Supervisor-owned Music Library that’s feeding music directly to an Investigative TV Series. They need a bunch of Investigative Tension Cues in a variety of tempos and styles. Please listen to the references below to get a general idea of what they need: Scandal: https://www.youtube.com/watch?v=x0kaHkF5Wjo “16x9 – Behind The Yellow Line: Real CSI ” (0:00-0:35) https://www.youtube.com/watch?v=jcypaqcKesU CSI: https://www.youtube.com/watch?v=R9qjdUlRs7Y Please submit well-crafted Investigative Cues that would help support scenes with investigation, spying, or surveillance. Your pieces can include Electronic and/or Orchestral Instrumentation, or a hybrid of both. Be sure to craft your Cue around a simple melodic idea that introduces some suspense and tension, while adding new layers of instrumentation as it progresses to add dynamics, interest, and forward momentum. If you can picture your Cue working in investigation-based shows like CSI, NCIS, and Criminal Minds, send it in! All submissions should be about 90 seconds long (give or take). If you go a little long, don’t sweat it! Non-Faded, Buttoned endings will work best. Please do NOT copy the referenced examples in any way, shape, or form. Use them only as a general guide for tempo, texture, tone, and overall vibe. Broadcast quality is needed. Note: This is a Music Library that very few TAXI members have music in, so this is a great chance to build a new relationship! This company offers a really cool musician friendly EXCLUSIVE deal: You get 100% of the writer’s share AND 30% of the publisher’s share! The company gets only 70% of the publisher’s share. You’ll also get 34% of any sync fees! After 5 years, you can choose to have all rights revert back to you, OR continue to work with this company on a year-by-year basis. You must own or control your Master and Copyright to pitch for this opportunity. Please submit as many Instrumental Cues as you'd like online or per CD. All submissions will be screened on a Yes/No basis - No full critiques. Submissions must be received no later than 11:59PM (PDT), on Monday, July 2nd, 2018. TAXI #Y180702IT

[GuitarKit]

Congrats Sergio. That's a pretty broad range of genre to get forwards with. Good skills. All the best with them.

[senmusic]

Thanks for your nice comments Kit Grenon.