https://soundcloud.com/henryvan4444/darkness-is-coming
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Y190823EC
CINEMATIC 1980s-Style ELECTRONIC INSTRUMENTALS are needed by a globally successful Music Licensing Firm with a great track record of placements in Films, TV shows, and Commercials.
They’re eagerly chasing Instrumentals in All Tempos that would fall in the general range of the following references:
Stranger Things Theme Song
Le Matos - Summer Of 84 Soundtrack
The Thing Theme
Escape From New York Theme
Please submit Electronic Instrumentals that have a well-defined 1980s sound, style, and influence. Your submissions should have pulsing, driving beats that give some forward momentum and have some dark and mysterious elements. Analog-sounding synths with a steady Electronic beat could be a great starting point as long as they have that ‘80s appeal going for them.
TAXI Tip: Your submissions can be actual vintage masters recorded in the 1980s, or they can be recently recorded Instrumentals that are inspired by that era. If you’re going to be composing something for this request, using current-sounding synths or drum machines probably won't work well for this, so bust out those 1980's throwbacks (anybody have a DX-7 collecting dust?) if you really want to add some authenticity to your track!
All submissions should be about 2-4 minutes long, give or take. Non-Faded endings were not specifically requested, but are always a good idea when pitching to a Music Licensing company. Do NOT copy the referenced examples in any way, shape, or form. Era-Appropriate Broadcast Quality is needed. In other words, the recording shouldn’t sound too modern or slick.
This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened on a Yes/No basis – No full critiques. Submissions must be received no later than 11:59 PM (PDT) on Friday, August 23rd, 2019. TAXI #Y190823EC
