Why Dispatch?

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AlanHall
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Re: Why Dispatch?

Post by AlanHall » Wed Aug 19, 2020 5:23 pm

I've thought about dispatch, but have decided to wait until I'm confident that any track I submit will be a forward. (Nowhere near that bar yet, BTW!)

That's the only way I see dispatch being a good choice.

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Telefunkin
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Re: Why Dispatch?

Post by Telefunkin » Wed Sep 23, 2020 2:08 am

Jonharding wrote:
Wed Aug 19, 2020 10:28 am
Almost all the dispatch ones I have been notified about have been instrumental/cues and in the other hand most of the standard listings are song based.
Jonharding wrote:
Wed Aug 19, 2020 10:28 am
All the instrumental ones that have appealed to me have been from dispatch....
gitanosoy wrote:
Thu May 14, 2020 10:04 am
...about the dead lines, yeah some of them are really short timeline and some are standard 2-3 weeks.
gitanosoy wrote:
Thu May 14, 2020 10:04 am
sometimes they don't get enough submissions and it ends up in the regular INSTRUMENTAL listings
hummingbird wrote:
Wed Aug 19, 2020 6:21 am
a full year of Dispatch is $150 USD in addition to the regular membership fee
A big 'Thanks' to Taxi for all the many good things, but I have to agree with the frustrations expressed here, even though songwriters or instrumentalists with a different bias might see it differently.
Graham (UK). Still composing a little faster than decomposing, and 100% HI.

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MisterGreen
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Re: Why Dispatch?

Post by MisterGreen » Mon Jun 28, 2021 8:36 am

So is it true that listings for instrumentals are being promoted though Dispatch? It certainly seems that way according to the emails I get. I can't remember the last time I saw a non-Dispatch email for instrumentals.
Write, Submit, Forget, Repeat

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