Thanks cosmicdolphin,cosmicdolphin wrote: ↑Sat Aug 14, 2021 2:01 pmMore of a general tip really but can apply to a lot of stuffBrianSteel wrote: ↑Fri Aug 13, 2021 9:53 pmI get what your saying although I don't know if it was in reference to my song.
Yes , if you think of it in terms of smaller pieces/chunks that are inter-changeable. So that might be 4 bar blocks that can be stacked but are still usable if you remove certain parts and easy to reassemble into a new shape ( to fit the scene )BrianSteel wrote: ↑Fri Aug 13, 2021 9:53 pmAnyway, Lego blocks in terms of being able to cut it up for their purposes? is that what your mean.
Every day's a school day ! ...at least you have a drinkBrianSteel wrote: ↑Fri Aug 13, 2021 9:53 pmI am really trying but I know in the end I am the only one with the drink in the hand at the end of the night with no payout. ce la vie. I am learning.
I am understanding this more. I don't want to complain but I think that the clients really know what they want but they give roundabout examples that are close to what they want but not the exact reference track and unfortunately they are probably
not musicians. Case in point I have come to realize that the string pizzicato that was requested in a prior brief is nothing more than It's always sunny in Philadelphia. Well, kick me in the ass for not knowing that was what they were looking for as it wasn't mentioned in the brief. This is all assumption on my part but I can't think of another show that emphasized pizzicato strings that that one. And that was a stretch for the production when they went for that music. I would bet that that music is what the library had in mind but they gave examples which have pizzicato strings but not like the music from the show - only comes slightly close. Having said that, I am learning how to deal with this and I am learning that you probably have to dig deeper than what's provided in the brief. Is there a reason why they can't simply come out and say we are looking for strings like what was on this show?