CTWF rules for the fair use of AI voice clones and AI-generated lyrics
Posted: Tue May 09, 2023 11:41 am
The cat is out of the bag and will not go back in. So, I think this should be easy, and here is my proposal to the industry. The rules I came up with are extremely easy to implement and will create substantial additional revenue for established voice artists and AI service providers. Please discuss.
I) Rules for AI voice clones
1. The voice artist has to explicitly allow cloning of their voice for it to be legal.
2. The artist explicitly allows voice cloning if their PRO publicly provides the following information on their AI-dedicated web pages:
a) The artist's IPI number for AI-related royalties.
b) The restrictions of use if applicable. These can - but do not have to - be exclusions such as
- political statements
- religious statements
- racist statements
- ad hominems
- explicit lyrics
- advertising
from use with the voice clone.
3. Unless negotiated differently with the artist, the split for any AI voice clone is 25% of all revenue from the works created with it.
4. An AI voice clone's name is the commonly used corresponding artist name plus the prefix "AI". For instance, if a voice clone of Elvis Presley was used, the name that has to feature where typically the artist name shows is "AI Elvis Presley".
5. The providers of AI services have no rights to works and no claims to revenue payments from the use of the services or contributions to works they provide. There business plans need to account for this by corresponding fee structures.
II) Rules for AI lyrics
Rule I) 5. applies in analogy. All rights are owned by the creators who used and prompted the AI service or software. Creators are liable for potential plagiarism by the AI services they use.
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I think rule I) 5. is justified as the providers of AI services often rely on ideas and algorithms created and published elsewhere. In the case of lyrics, the prompt for the AI is the main creative work by the artist/creator, and smaller changes to lyrics created by AI would make royalties splits immensely difficult to implement. With proper fee structures, AI services should be able to be very profitable even without royalties income and their revenue depends on usage and, thus, computing power they provide, which seems appropriate. Plagiarism must be ruled out and creators cannot offload this burden to AI service providers, while it is clear that the latter should strive for original content (this is the purpose of AI).
Tom/CTWF
I) Rules for AI voice clones
1. The voice artist has to explicitly allow cloning of their voice for it to be legal.
2. The artist explicitly allows voice cloning if their PRO publicly provides the following information on their AI-dedicated web pages:
a) The artist's IPI number for AI-related royalties.
b) The restrictions of use if applicable. These can - but do not have to - be exclusions such as
- political statements
- religious statements
- racist statements
- ad hominems
- explicit lyrics
- advertising
from use with the voice clone.
3. Unless negotiated differently with the artist, the split for any AI voice clone is 25% of all revenue from the works created with it.
4. An AI voice clone's name is the commonly used corresponding artist name plus the prefix "AI". For instance, if a voice clone of Elvis Presley was used, the name that has to feature where typically the artist name shows is "AI Elvis Presley".
5. The providers of AI services have no rights to works and no claims to revenue payments from the use of the services or contributions to works they provide. There business plans need to account for this by corresponding fee structures.
II) Rules for AI lyrics
Rule I) 5. applies in analogy. All rights are owned by the creators who used and prompted the AI service or software. Creators are liable for potential plagiarism by the AI services they use.
-------------------------
I think rule I) 5. is justified as the providers of AI services often rely on ideas and algorithms created and published elsewhere. In the case of lyrics, the prompt for the AI is the main creative work by the artist/creator, and smaller changes to lyrics created by AI would make royalties splits immensely difficult to implement. With proper fee structures, AI services should be able to be very profitable even without royalties income and their revenue depends on usage and, thus, computing power they provide, which seems appropriate. Plagiarism must be ruled out and creators cannot offload this burden to AI service providers, while it is clear that the latter should strive for original content (this is the purpose of AI).
Tom/CTWF