marketing cd learning curve
Posted: Thu Aug 29, 2013 9:39 pm
i posted here a few months ago, asking taxi peers how they would approach putting together a marketing cd. thanks again to those who responded, and to sir michael laskow, who was kind enough to consult me on the weekly u-stream show last week.
i have concluded that i should NOT market myself as an 'all around guitar slinger', but a guitarist who writes in a particular genre. he gave the example of matt hirt who (at one time) specialized in latin music and things took off from there for him.
this is helping me pick 10 tunes out of 40 or so of my various styles to put on the cd. this first cd will probably be called 'vol. 1, groove guitar'. leaves the door open for vol. 2, etc. in other guitar genres.
i also decided to create a proper cd with photos, nice graphics, record label, etc. (like a performing artist), vs. a 'demo' cd...so when i hand it to music supes at the rally, they see a professional presentation. plus i now have a list of 50 or so music supes in the industry who i will also mail it to.
also helps to have a proper cd when i submit it to 'music connection' magazine for a review.
the cd will also do triple duty for retail sales on cd baby, itunes, etc., though i only consider any results from that as icing. i mean, how many folks will actually by a cd of guitar instrumentals? no matter, cd baby gets it out there globally for sixty bucks or so. viral is key, no?
very interesting figuring out one's way through this crazy business in the 21st century. gotta love the challenge...and gotta love taxi! what a unique journey each of us is on in film/tv music!
i have concluded that i should NOT market myself as an 'all around guitar slinger', but a guitarist who writes in a particular genre. he gave the example of matt hirt who (at one time) specialized in latin music and things took off from there for him.
this is helping me pick 10 tunes out of 40 or so of my various styles to put on the cd. this first cd will probably be called 'vol. 1, groove guitar'. leaves the door open for vol. 2, etc. in other guitar genres.
i also decided to create a proper cd with photos, nice graphics, record label, etc. (like a performing artist), vs. a 'demo' cd...so when i hand it to music supes at the rally, they see a professional presentation. plus i now have a list of 50 or so music supes in the industry who i will also mail it to.
also helps to have a proper cd when i submit it to 'music connection' magazine for a review.
the cd will also do triple duty for retail sales on cd baby, itunes, etc., though i only consider any results from that as icing. i mean, how many folks will actually by a cd of guitar instrumentals? no matter, cd baby gets it out there globally for sixty bucks or so. viral is key, no?
very interesting figuring out one's way through this crazy business in the 21st century. gotta love the challenge...and gotta love taxi! what a unique journey each of us is on in film/tv music!