Music submission strategy
Posted: Fri Jan 25, 2019 6:20 am
Hi TAXI family
I'm reaching out to the more seasoned TAXI users for a little guidance. My questions relates to the strategy of submitting music to multiple sources.
I understand that it's NOT advisable to submit a tune to a TAXI brief if the tune is already registered with a publisher on a non-exclusive basis. I also understand that most media composers won't all exclusively use TAXI as vehicle to generate income from your music, it seems most of you spread the net over the whole industry.
Considering the two points above, how do you approach submissions with TAXI? Do you write songs exclusively for the TAXI market and write tunes exclusively for other agencies/publishers?
I'm new(ish) to TAXI. Whilst I'm yet to sign a contract via TAXI, I'm getting roughly 50% of my submissions forwarded. What I'm looking to avoid is damaging any potential opportunity for any given composition and not piss anyone off on the way.
Super interested to see how you guys approach this.
Thanks in advance
Rob
I'm reaching out to the more seasoned TAXI users for a little guidance. My questions relates to the strategy of submitting music to multiple sources.
I understand that it's NOT advisable to submit a tune to a TAXI brief if the tune is already registered with a publisher on a non-exclusive basis. I also understand that most media composers won't all exclusively use TAXI as vehicle to generate income from your music, it seems most of you spread the net over the whole industry.
Considering the two points above, how do you approach submissions with TAXI? Do you write songs exclusively for the TAXI market and write tunes exclusively for other agencies/publishers?
I'm new(ish) to TAXI. Whilst I'm yet to sign a contract via TAXI, I'm getting roughly 50% of my submissions forwarded. What I'm looking to avoid is damaging any potential opportunity for any given composition and not piss anyone off on the way.
Super interested to see how you guys approach this.
Thanks in advance
Rob