Forward for ORCHESTRAL/HYBRID INSTRUMENTAL CUES
Posted: Tue Oct 13, 2020 6:19 pm
Just received notice that one of the 2 tracks I submitted to listing S201011BR was forwarded, 2nd forward for this guy:
https://soundcloud.com/marcoiannello/go ... ld/s-rUY38
A Wide Range of Styles of ORCHESTRAL/HYBRID INSTRUMENTAL CUES is needed by an EXCLUSIVE Music Licensing Company with a long and impressive list of great placements in Film, TV, and Commercials.
They’re on the hunt for a range of Instrumental Cues in various styles. Here are some examples, but you don't have to be in the stylistic ballpark of these - they're just some ideas to get your gears turning:
"Dream Is Collapsing" by Han Zimmer
"This Is How It Ends" by Sebastian Böhm
"We Are Gods" by Audiomachine
"Origins of A Nebula" by Mattia Turzo
Valhalla | Officiel Trailer I 2019 (Starting at 0:33)
Give them top-notch Instrumental Cues that seamlessly combine Orchestral Instrumentation with Electronic and/or Rock elements. Craft your submissions around a singular motif and mood and layer instrumentation in and out as they progress to create a sense of forward momentum and dynamics. Any and all software sounds or samples you use should sound high-quality and not dated, obviously quantized, or MIDI-driven.
https://soundcloud.com/marcoiannello/go ... ld/s-rUY38
A Wide Range of Styles of ORCHESTRAL/HYBRID INSTRUMENTAL CUES is needed by an EXCLUSIVE Music Licensing Company with a long and impressive list of great placements in Film, TV, and Commercials.
They’re on the hunt for a range of Instrumental Cues in various styles. Here are some examples, but you don't have to be in the stylistic ballpark of these - they're just some ideas to get your gears turning:
"Dream Is Collapsing" by Han Zimmer
"This Is How It Ends" by Sebastian Böhm
"We Are Gods" by Audiomachine
"Origins of A Nebula" by Mattia Turzo
Valhalla | Officiel Trailer I 2019 (Starting at 0:33)
Give them top-notch Instrumental Cues that seamlessly combine Orchestral Instrumentation with Electronic and/or Rock elements. Craft your submissions around a singular motif and mood and layer instrumentation in and out as they progress to create a sense of forward momentum and dynamics. Any and all software sounds or samples you use should sound high-quality and not dated, obviously quantized, or MIDI-driven.
