Road To Olympus (Epic Action Hybrid)
Posted: Sun Feb 20, 2022 12:04 pm
Road To Olympus (Epic Action Hybrid)
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Post by johndalenow » Sat Feb 19, 2022 7:49 pm
Before I get too far into mixing and tweaking: After listening to this particular group of references, it seems to me that they do NOT have as much in common as most reference groupings we are used to getting. My question is: Are these references different enough to have my piece be considered as acceptable? Thanks for all your comments.
https://soundcloud.com/john-dale-music/ ... al_sharing
EPIC, ACTION ORCHESTRAL HYBRID INSTRUMENTALS for SPORTS CONTENT are needed by a great Music Library with lots of success in Film and TV placements.
They’re looking for Mid-to-Up-Tempo Instrumentals in the general stylistic ballpark of the following references we got directly from them:
"Tacitus" by Daniel L Heath
posting.php?mode=post&f=20&sid=b5b26103 ... 702b8c2c40
"Black Angels Rise" by Mark John Petrie
https://www.youtube.com/watch?v=49GDKLDzXsw
"Tribal Battles" by Daniel Law Heath & Magnum Opus
https://www.youtube.com/watch?v=m-p3hVRAWgM
"Evil Reborn" by Charles Evans
https://www.youtube.com/watch?v=OFPFVXlAnN4
Please send well-produced Orchestral Hybrid Instrumentals that create a huge, epic sound and vibe that could be used in sports-related content. Engaging motifs, solid rhythms, and plenty of unapologetic energy are a must for this request. Your arrangements should blend Orchestral instrumentation with Rock, Hip-Hop, and/or Electronic elements and be generally similar to the style of the references. Please be sure that your production and any virtual instruments or samples you use are cutting-edge and high-quality.
All submissions should be about 2 to 4 minutes long (give or take) with non-faded, buttoned/stinger endings. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe. Broadcast Quality is needed.
This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, March 9th, 2022. TAXI # S220309BG
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Post by johndalenow » Sat Feb 19, 2022 7:49 pm
Before I get too far into mixing and tweaking: After listening to this particular group of references, it seems to me that they do NOT have as much in common as most reference groupings we are used to getting. My question is: Are these references different enough to have my piece be considered as acceptable? Thanks for all your comments.
https://soundcloud.com/john-dale-music/ ... al_sharing
EPIC, ACTION ORCHESTRAL HYBRID INSTRUMENTALS for SPORTS CONTENT are needed by a great Music Library with lots of success in Film and TV placements.
They’re looking for Mid-to-Up-Tempo Instrumentals in the general stylistic ballpark of the following references we got directly from them:
"Tacitus" by Daniel L Heath
posting.php?mode=post&f=20&sid=b5b26103 ... 702b8c2c40
"Black Angels Rise" by Mark John Petrie
https://www.youtube.com/watch?v=49GDKLDzXsw
"Tribal Battles" by Daniel Law Heath & Magnum Opus
https://www.youtube.com/watch?v=m-p3hVRAWgM
"Evil Reborn" by Charles Evans
https://www.youtube.com/watch?v=OFPFVXlAnN4
Please send well-produced Orchestral Hybrid Instrumentals that create a huge, epic sound and vibe that could be used in sports-related content. Engaging motifs, solid rhythms, and plenty of unapologetic energy are a must for this request. Your arrangements should blend Orchestral instrumentation with Rock, Hip-Hop, and/or Electronic elements and be generally similar to the style of the references. Please be sure that your production and any virtual instruments or samples you use are cutting-edge and high-quality.
All submissions should be about 2 to 4 minutes long (give or take) with non-faded, buttoned/stinger endings. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe. Broadcast Quality is needed.
This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PST) on Wednesday, March 9th, 2022. TAXI # S220309BG