Feedback Request for TAXI # S220727DR Dramedy Instrumentals
Posted: Mon Jul 18, 2022 6:35 pm
Hopefully not a faux pas asking for feedback on multiple tracks, but would love to hear thoughts on any of these (of course feel free to listen to just one if you'd like!)
Traffic Jam
https://www.taxi.com/members/2-1cBWNKT9 ... raffic-jam
Kind Duck
https://www.taxi.com/members/2-1cBWNKT9 ... -kind-duck
Internal Pressure
https://www.taxi.com/members/2-1cBWNKT9 ... l-pressure
Original Posting Below:
Lots of DRAMEDY INSTRUMENTALS are needed by a very busy British Music Library that's constantly landing tons of placements in Film, TV, and other Media.
This Library is looking for a range of Instrumentals that could fit on a playlist with the following references:
Real Housewives of Beverly Hills (from 0:59 - 1:55)
https://youtu.be/x4XWN5cohTY?t=59
"Dark Comedy Central" by Jim Ellis
https://youtu.be/LQyNOyO-yis
Real Housewives of Atlanta (from 1:25 to 2:08)
https://youtu.be/7aFnQpSWiEc?t=84
"Quirky Waltz" by Gabriel Saban & Anne-Sophie Elizabeth Versnaeyen
https://youtu.be/rHbY-zRcgHo
"Frenemy of the People" by Bleeding Fingers
https://youtu.be/WME00QPm3Yc
Please submit well-produced Dramedy Instrumentals that could help set the tone in Film, TV, and other media placements. Your submissions can range from sparse and quirky to dark and sombre – to anywhere in between! Your submissions should have memorable motifs, solid arrangements, and polished production. Orchestral-based instrumentation that is generally similar to the references will suit your submissions best. You can incorporate some additional elements (like Hip-Hop beats), as long as the orchestral elements stay the focal element. Craft your pieces around a central motif, and create a sense of forward dynamics and movement by layering instrumentation in and out as they progress. We recommend avoiding anything that sounds overly busy as it could distract from a scene’s dialogue. Please be sure any virtual sounds or instruments you use are high-quality and modern.
Your submissions should be about 2 to 3 minutes long, give or take. Non-faded, buttoned endings with good edit points are needed for this pitch. Do NOT copy the referenced example in any way shape or form. Use it only as a general guide for tempo, tone, texture, and overall vibe. Broadcast Quality is needed.
This company offers an EXCLUSIVE 50/50 deal. Since this is an Exclusive deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. You’ll get 100% of the Writer’s share, and the Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright to submit. Please send as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, July 27th, 2022. TAXI # S220727DR
Traffic Jam
https://www.taxi.com/members/2-1cBWNKT9 ... raffic-jam
Kind Duck
https://www.taxi.com/members/2-1cBWNKT9 ... -kind-duck
Internal Pressure
https://www.taxi.com/members/2-1cBWNKT9 ... l-pressure
Original Posting Below:
Lots of DRAMEDY INSTRUMENTALS are needed by a very busy British Music Library that's constantly landing tons of placements in Film, TV, and other Media.
This Library is looking for a range of Instrumentals that could fit on a playlist with the following references:
Real Housewives of Beverly Hills (from 0:59 - 1:55)
https://youtu.be/x4XWN5cohTY?t=59
"Dark Comedy Central" by Jim Ellis
https://youtu.be/LQyNOyO-yis
Real Housewives of Atlanta (from 1:25 to 2:08)
https://youtu.be/7aFnQpSWiEc?t=84
"Quirky Waltz" by Gabriel Saban & Anne-Sophie Elizabeth Versnaeyen
https://youtu.be/rHbY-zRcgHo
"Frenemy of the People" by Bleeding Fingers
https://youtu.be/WME00QPm3Yc
Please submit well-produced Dramedy Instrumentals that could help set the tone in Film, TV, and other media placements. Your submissions can range from sparse and quirky to dark and sombre – to anywhere in between! Your submissions should have memorable motifs, solid arrangements, and polished production. Orchestral-based instrumentation that is generally similar to the references will suit your submissions best. You can incorporate some additional elements (like Hip-Hop beats), as long as the orchestral elements stay the focal element. Craft your pieces around a central motif, and create a sense of forward dynamics and movement by layering instrumentation in and out as they progress. We recommend avoiding anything that sounds overly busy as it could distract from a scene’s dialogue. Please be sure any virtual sounds or instruments you use are high-quality and modern.
Your submissions should be about 2 to 3 minutes long, give or take. Non-faded, buttoned endings with good edit points are needed for this pitch. Do NOT copy the referenced example in any way shape or form. Use it only as a general guide for tempo, tone, texture, and overall vibe. Broadcast Quality is needed.
This company offers an EXCLUSIVE 50/50 deal. Since this is an Exclusive deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. You’ll get 100% of the Writer’s share, and the Publisher will get 100% of the Publisher’s share. You must own or control your Master and Copyright to submit. Please send as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Wednesday, July 27th, 2022. TAXI # S220727DR