TAXI.com

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Lots of DRAMATIC and OMINOUS ELECTRONIC INSTRUMENTALS are needed by a great Music Library with International Distribution and lots of success in Film and TV placements.

NOTE: We previously ran this request as TAXI Dispatch Listing # D240716DR but the Company didn't find what they were looking for. If you submitted to listing # D240716DR, please send different material this time around.

This Library is searching for Electronic Instrumentals that could be found on a playlist with the following references:

"Future Suspense Cinematic Music For Video" by cleanmindsounds

https://www.youtube.com/watch?v=hUD_tTz2otA

"Future Tension" by Soundcritters

https://www.youtube.com/watch?v=Pdcx-JS4Gmg

"Predator Amongst Us" by Darnell Pitts Studio

https://www.youtube.com/watch?v=RnS79fRp2SQ

Please submit well-produced Electronic Instrumentals with an ominous or dramatic sound and a nice blend of electronic and cinematic elements. Your submissions should have futuristic motifs, engaging rhythms, and solid arrangements with plenty of forward momentum, dynamics, and interest. Electronic and Cinematic Instrumentation that's in the general stylistic ballpark of the references will work best, such as strings, pulsing synths, cinematic drums, ambient keys, etc. Any virtual sounds or samples you use need to be high-quality and not dated-sounding.

TAXI Tip: We think this particular listing is looking for tracks that ride the line between futuristic and ominous motifs without falling too far into the really dark, scary, or horror-inspired side of things. Having a dramatic and ominous sound without crossing into that territory could be what helps get this Publisher's attention!

All submissions should be about 2 to 4 minutes long (give or take) with non-faded, buttoned/stinger endings. Do NOT copy the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll get 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT already signed with other Libraries or Catalogs. Please submit as many Instrumentals as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Thursday, August 22nd, 2024. TAXI # S240822AM

Hi John,

I took a listen - I'm been trying to crack this genre for a while (still hoping to complete one of these this week...) and of course, while I have no objectivity (mostly) about my own work, when hearing others, I can usually tell if something is working or not...

This to me is too far afield of the references.... It sounds like dark synthwave more than a dramatic electronic instrumental, at least to me.

That being said, one of the issues I am having with this call is that the references strike me more as orchestral hybrids than electronic mentals, particularly the second two.

Not a bad piece of music, although it could use a bit of makeup in the mix.. it's pretty close, but it's a bit too mono and doesn't have that 3D imaging..

I wish you the best with it,
- Mark

macomposer wrote: ↑

Mon Aug 19, 2024 3:57 pm

Hi John,

I took a listen - I'm been trying to crack this genre for a while (still hoping to complete one of these this week...) and of course, while I have no objectivity (mostly) about my own work, when hearing others, I can usually tell if something is working or not...

This to me is too far afield of the references.... It sounds like dark synthwave more than a dramatic electronic instrumental, at least to me.

That being said, one of the issues I am having with this call is that the references strike me more as orchestral hybrids than electronic mentals, particularly the second two.

Not a bad piece of music, although it could use a bit of makeup in the mix.. it's pretty close, but it's a bit too mono and doesn't have that 3D imaging..

I wish you the best with it,
- Mark

Thanks for your comments Mark. Best! John

I am also giving this a one a shot. I am struggling whether do more orchestra and strings.. or more electronic, I feel like 2 of the references seem more cinema strings and then the one is more dark synth.