Huh?? DARK, OMINOUS ORCHESTRAL INSTRUMENTAL
Posted: Fri Jan 10, 2014 6:39 am
Well, a little disappointed I got a return on Black Hole (on my Taxi page) for this reason:
"Hi David, I like the theme and I think the track progresses nicely. I find the overall mood is more mellow than the "over the top, apocalyptic" sound requested."
If they had said the way it was mixed or sounding too sampled or something I could understand. But.... I simply do not see this piece as "mellow." Intensity is what I was after. Funny, I've heard a few forwards from others and they sounded more mellow than mine. Really trying to learn from this. Thoughts?
DARK, OMINOUS ORCHESTRAL INSTRUMENTAL Tracks are U-R-G-E-N-T-L-Y needed by an A-LIST MUSIC SUPERVISOR working on a MAJOR STUDIO FEATURE FILM. He’s searching for Mid-to-Up Tempo Instrumentals in the general stylistic ballpark of composers like Hans Zimmer, James Newton Howard, Brian Tyler, Pete Anthony, etc. “Batman” Score From The Dark Knight: http://bit.ly/1e0phz3 “Iron Man 3 Theme”: http://bit.ly/1crJY4l “Warriors On The Beach” Snow White And The Huntsman: http://bit.ly/1dtCSAR This is for a very specific scene in a film where the lead character is playing a very dark, ominous video game, and the supervisor needs music that sounds like it would be the soundtrack to that game. Quoting The Music Supervisor: “I need over the top, apocalyptic tracks that will immediately give the listener the sense that they’re multiple levels deep into the strange, shadowy world of a super-intense video game.”
"Hi David, I like the theme and I think the track progresses nicely. I find the overall mood is more mellow than the "over the top, apocalyptic" sound requested."
If they had said the way it was mixed or sounding too sampled or something I could understand. But.... I simply do not see this piece as "mellow." Intensity is what I was after. Funny, I've heard a few forwards from others and they sounded more mellow than mine. Really trying to learn from this. Thoughts?
DARK, OMINOUS ORCHESTRAL INSTRUMENTAL Tracks are U-R-G-E-N-T-L-Y needed by an A-LIST MUSIC SUPERVISOR working on a MAJOR STUDIO FEATURE FILM. He’s searching for Mid-to-Up Tempo Instrumentals in the general stylistic ballpark of composers like Hans Zimmer, James Newton Howard, Brian Tyler, Pete Anthony, etc. “Batman” Score From The Dark Knight: http://bit.ly/1e0phz3 “Iron Man 3 Theme”: http://bit.ly/1crJY4l “Warriors On The Beach” Snow White And The Huntsman: http://bit.ly/1dtCSAR This is for a very specific scene in a film where the lead character is playing a very dark, ominous video game, and the supervisor needs music that sounds like it would be the soundtrack to that game. Quoting The Music Supervisor: “I need over the top, apocalyptic tracks that will immediately give the listener the sense that they’re multiple levels deep into the strange, shadowy world of a super-intense video game.”