Ambient underscore returns.... hmmm
Posted: Tue Aug 16, 2016 4:05 pm
Trying to learn from these returns but am not quite seeing what the screener means... thoughts?
https://soundcloud.com/davidhollandsworth/fluid "Could have better top line tones. Could be more emotionally compelling."
https://soundcloud.com/davidhollandsworth/liquid-air "Could be a better tone meld in general and more engaging overall."
AMBIENT SOUNDSCAPE UNDERSCORE INSTRUMENTAL CUES (in various moods) are needed by a Music Library that’s landing lots of placements in a bunch of TV shows. Give them emotionally compelling and engaging Underscore Instrumental Cues that are in the general musical range of what you’d hear from composers/acts like Trent Reznor and Atticus Ross, Explosions In The Sky, Mogawi, etc., etc., etc. Take a listen to the following references to get an idea of what they’re looking for: “Technically, Missing” by Trent Reznor & Atticus Ross: https://www.youtube.com/watch?v=Ocx2wwxHQFE “Waking Up” by Explosions In The Sky: https://www.youtube.com/watch?v=kMCHzUPIkQc “Jaguar” by Mogwai: https://www.youtube.com/watch?v=EIxgn_-lmlo Provide them with simple but lush soundscapes with great sonic textures and emotionally compelling “vibe.” We suggest you stick to a singular mood throughout the entire Cue so your submission is cohesive from start to finish. Moods can range from wondrous and mysterious to peaceful and calming, to darkly foreboding. Keep it simple so your Cue won’t distract from a scene’s dialog. Just remember the KISS writing method, “Keep it simple, stupid”! All submissions can be anywhere from :60 Seconds to 2 minutes in length. Non-faded endings with a natural decay/ring out are recommended. Do NOT copy or rip off the referenced music in any way, shape, or form. Use them only as a guide for texture, tone, and vibe. Broadcast Quality is needed (Great sounding home recordings are fine). This Company offers an EXCLUSIVE agreement with a 50/50 split. The specific terms of this agreement will be determined directly between you and the Library. Because this is an Exclusive deal, please submit music for this pitch that is not already signed to any other Libraries or Publishers. You must own or control your Copyright and Master recording. All submissions will be screened on a Yes/No basis. No full critiques. Please submit 1-3 Versions online or per CD no later than 11:59pm (PDT), on Tuesday, August 9th, 2016. TAXI #D160809AI
https://soundcloud.com/davidhollandsworth/fluid "Could have better top line tones. Could be more emotionally compelling."
https://soundcloud.com/davidhollandsworth/liquid-air "Could be a better tone meld in general and more engaging overall."
AMBIENT SOUNDSCAPE UNDERSCORE INSTRUMENTAL CUES (in various moods) are needed by a Music Library that’s landing lots of placements in a bunch of TV shows. Give them emotionally compelling and engaging Underscore Instrumental Cues that are in the general musical range of what you’d hear from composers/acts like Trent Reznor and Atticus Ross, Explosions In The Sky, Mogawi, etc., etc., etc. Take a listen to the following references to get an idea of what they’re looking for: “Technically, Missing” by Trent Reznor & Atticus Ross: https://www.youtube.com/watch?v=Ocx2wwxHQFE “Waking Up” by Explosions In The Sky: https://www.youtube.com/watch?v=kMCHzUPIkQc “Jaguar” by Mogwai: https://www.youtube.com/watch?v=EIxgn_-lmlo Provide them with simple but lush soundscapes with great sonic textures and emotionally compelling “vibe.” We suggest you stick to a singular mood throughout the entire Cue so your submission is cohesive from start to finish. Moods can range from wondrous and mysterious to peaceful and calming, to darkly foreboding. Keep it simple so your Cue won’t distract from a scene’s dialog. Just remember the KISS writing method, “Keep it simple, stupid”! All submissions can be anywhere from :60 Seconds to 2 minutes in length. Non-faded endings with a natural decay/ring out are recommended. Do NOT copy or rip off the referenced music in any way, shape, or form. Use them only as a guide for texture, tone, and vibe. Broadcast Quality is needed (Great sounding home recordings are fine). This Company offers an EXCLUSIVE agreement with a 50/50 split. The specific terms of this agreement will be determined directly between you and the Library. Because this is an Exclusive deal, please submit music for this pitch that is not already signed to any other Libraries or Publishers. You must own or control your Copyright and Master recording. All submissions will be screened on a Yes/No basis. No full critiques. Please submit 1-3 Versions online or per CD no later than 11:59pm (PDT), on Tuesday, August 9th, 2016. TAXI #D160809AI