Year 1 down - no deals yet, but I've grown a TON
Posted: Sun Feb 14, 2021 5:22 pm
Greetings all,
I've been a TAXI member a little over a year, and I have no deals to report yet, but I have grown SO MUCH and just wanted to take a moment to reflect on that.
I write rock songs and instrumentals of varying types (anything electric guitar based). My first 12 submissions were all returned because like many first timers, they were prewritten songs that I was trying to force fit into listings. When I started writing to the listing, I had much better odds: of 48 submissions, I had 18 forwards. Here's a playlist of some of the tunes that were forwarded. I would greatly take to heart any advice that you have on how to improve!
https://soundcloud.com/matt-michaelis/s ... ental-cues
When I started this whole thing, I always hired out the drummer, singer, and mixing/mastering engineers. That's because I just didn't have the expertise yet and I was really intimidated by mixing and mastering. That usually came out to about $300-$500 a song. Those first few returns of writing for the listing were tough (given all the money I paid), but they pushed me down the cheaper path of learning how to do it all myself. Through these taxi forums I learned not only about programs such as Superior Drummer 3 but gained valuable resources on how to mix and master. I got some books and started taking some mixing classes. And then the practicing began.
It took me about 8 attempts to get my first forward. That first one made me ecstatic. Never before would I have ever thought that I was capable of producing something that was "broadcast quality" on my own. As I kept plugging away, I learned things here and there, both from the screeners' feedback as well as from these forums and other taxi members. I would like to especially thank Mark (@cosmicdolphin on here) for being a game changer for me. He was an incredible mentor and took a lot of time to explain some of the finer points of mixing and writing to a listing. My workflow was cut in half thanks to his advice.
No deals yet, but based on some of the other stories I've read about there I hope that they're right around the corner. I also wonder if COVID has made this industry more competitive right now? I know that Taxi is not a competition but maybe more people are submitting due to live gigs being shut down? I have tried reworking some of my returns and submitting to libraries (separate from Taxi) but many are overwhelmed with submissions; so that's what made me wonder.
Above all else, I just need to pause and reflect on how satisfied I am with my progress. I have a very busy day job and family (5 kids at home). If I'm writing music, it is usually at the expense of losing sleep (either getting up early or staying up late). NEVER would I have ever thought that I would be capable of getting 18 forwards in a year. I am so elated that I decided to take this plunge and I've worked on myself skills to get to this point. Now I feel like I'm set for pursuing this passion for the rest of my life. And I wouldn't have achieved this level without the Taxi model. Even if I don't get a deal from all this hard work, the satisfaction from my personal growth has been 100 percent worth it.
Lastly, I would also say that I've gotten much better about receiving feedback too. Previously I would take negative comments about my music really personally, and returns were hard for me to swallow. With the feedback process, I've learned that accepting criticism is not only a key trait in this industry, but also is invaluable in life. I feel like now when I get a return, I think "it's all part of the game," and move on. So I'm thankful for that aspect of my growth too.
I would love to hear from any of you on similar journeys or other words of wisdom.
I'm also on Instagram as @mattymayde if you'd like to keep in touch.
Thanks!
Matt Michaelis
Yuba City, California
https://mattmichaelismusic.com
I've been a TAXI member a little over a year, and I have no deals to report yet, but I have grown SO MUCH and just wanted to take a moment to reflect on that.
I write rock songs and instrumentals of varying types (anything electric guitar based). My first 12 submissions were all returned because like many first timers, they were prewritten songs that I was trying to force fit into listings. When I started writing to the listing, I had much better odds: of 48 submissions, I had 18 forwards. Here's a playlist of some of the tunes that were forwarded. I would greatly take to heart any advice that you have on how to improve!
https://soundcloud.com/matt-michaelis/s ... ental-cues
When I started this whole thing, I always hired out the drummer, singer, and mixing/mastering engineers. That's because I just didn't have the expertise yet and I was really intimidated by mixing and mastering. That usually came out to about $300-$500 a song. Those first few returns of writing for the listing were tough (given all the money I paid), but they pushed me down the cheaper path of learning how to do it all myself. Through these taxi forums I learned not only about programs such as Superior Drummer 3 but gained valuable resources on how to mix and master. I got some books and started taking some mixing classes. And then the practicing began.
It took me about 8 attempts to get my first forward. That first one made me ecstatic. Never before would I have ever thought that I was capable of producing something that was "broadcast quality" on my own. As I kept plugging away, I learned things here and there, both from the screeners' feedback as well as from these forums and other taxi members. I would like to especially thank Mark (@cosmicdolphin on here) for being a game changer for me. He was an incredible mentor and took a lot of time to explain some of the finer points of mixing and writing to a listing. My workflow was cut in half thanks to his advice.
No deals yet, but based on some of the other stories I've read about there I hope that they're right around the corner. I also wonder if COVID has made this industry more competitive right now? I know that Taxi is not a competition but maybe more people are submitting due to live gigs being shut down? I have tried reworking some of my returns and submitting to libraries (separate from Taxi) but many are overwhelmed with submissions; so that's what made me wonder.
Above all else, I just need to pause and reflect on how satisfied I am with my progress. I have a very busy day job and family (5 kids at home). If I'm writing music, it is usually at the expense of losing sleep (either getting up early or staying up late). NEVER would I have ever thought that I would be capable of getting 18 forwards in a year. I am so elated that I decided to take this plunge and I've worked on myself skills to get to this point. Now I feel like I'm set for pursuing this passion for the rest of my life. And I wouldn't have achieved this level without the Taxi model. Even if I don't get a deal from all this hard work, the satisfaction from my personal growth has been 100 percent worth it.
Lastly, I would also say that I've gotten much better about receiving feedback too. Previously I would take negative comments about my music really personally, and returns were hard for me to swallow. With the feedback process, I've learned that accepting criticism is not only a key trait in this industry, but also is invaluable in life. I feel like now when I get a return, I think "it's all part of the game," and move on. So I'm thankful for that aspect of my growth too.
I would love to hear from any of you on similar journeys or other words of wisdom.
I'm also on Instagram as @mattymayde if you'd like to keep in touch.
Thanks!
Matt Michaelis
Yuba City, California
https://mattmichaelismusic.com
You're making consistently good quality tracks now so also think of it as building up your catalogue even if it gets returned, I've had 9 placements from my first year of Taxi submissions and 7 of them were returns that I later signed elsewhere. You can also think about compiling them into albums to approach libraries with yourself - PM me if you want any pointers.
