Two questions here concerning WFH in relation to mixing/mastering engineers and producers,
1) I Just wanted to ask, whether anyone hiring a mixing engineer say on Fiverr or Airgig, would seek to get a WFH signed by the engineer also? Although they are not singing or playing on the track as such, they are still adding to it, and might feel entitled to a future share of any royalties from a publisher if the track was to become. Just wanted to know what peoples thoughts on this were and whether it was something which publishers asked for
2) I hear some people using the phrase "long as you hold the master" when referring to signing agreements with publishers. Excuse my ignorance on this as a newbie, but for the sake of the publishers requirements, but would that be defined as a stereo master mixdown file, or would it have to be the individual stems/tracks on the song?
WFH from music 'warehouses'... still need?
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