What if it's not a work for hire collaboration and the artists you worked with want to be compensated for the work? Does that complicate things for the libraries? I'm currently working on having the various artists I've worked with sign paperwork saying they own a % of the song with their PRO info in hopes that will make it easier for the publisher
[/quote]
Hi,
I am not a lawyer or expert. Here is how I have understood my library contracts (very few lol)
As long as everyone has a % agreement in writing and you have copies you're good to go. That is how they get paid, from their PRO after it has been placed and aired. It can take up to year after that placement to get paid, depending on your PRO
My experience has been that you will complete the writers portion of the contract with all the writers listed, their PRO (their PRO IPI number) and their % share
You control the Master and everyone's interest in that piece. Your agreement with cowriters should state that and it should be understood.
If it is a WFH you need to have WFH contracts on file in case someone says "Hey, I'm on that track, where's my money/royalties?" Especially for singers
You could then show that the person's contribution was a WFH
You may want to consult a Music Attorney. Make a list of your questions and get as much info as possible for the money
I hope this helps