Am I safe to assume that what this listing ask for is a backing track that somebody could put a vocal over? - [a BACKING]
(Not a track that can stand on its own without vocals (instrumental) )
Is the submitted track primarily to be considered as something to impress this company?, as they are likely to use the submission to pick an efficient production fascillity for that type of music when they need it in the future.?
NEW LISTING -- CONTEMPORARY POP/ROCK COMPOSER/PRODUCERS a la Daughtry, P!nk, The Script, and Avril Lavigne needed by a Hollywood Film/TV Publisher with a solid track record. They want Go-To Producers who can turn out tracks on an as-needed basis so you must have excellent playing, arranging, and recording chops in the style of the referenced artists. For the best shot at this listings, submit tight, well-recorded tracks with plenty of energy - the kind that will add Big Emotional depth to a film scene! The Boring Stuff: Tracks must to be at least 1:30 in length, not more than 3:00. Button endings are required for this listing. (No fadeouts.) Submissions must be Broadcast Quality (great sounding home recordings are fine). This company pays a $125 Buyout Fee per instrumental track and the publisher keeps the copyright. Composers get 100% of the writer's share, but do not receive any sync or master fees. This type of Production Music Library deal may be seen as a little unorthodox by some folks, but we know many members who have signed with this company over the years, and we've not been able to dig up one complaint. Our members are happy due to the relatively high volume of placements they get from this very active publisher. Please submit one to three INSTRUMENTAL cues online or per CD. (NO VOCALS.) All submissions will be screened on a YES/NO BASIS - NO CRITIQUES FROM TAXI - and must be received no later than Thursday, June 16, 2011.
TAXI # Y110616PR