Can you hear the difference between a high-resolution recording and an Mp3? I certainly can. How about you?
Cheers,
Ern

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+1Russell Landwehr wrote:I don't bother wasting processing power and disk space with 92k/24bit so I've never compared it to MP3.
I do record and mix everything in 48k 24bit... and I always output to 320k MP3 (the highest "quality" mp3 out there). I use the Fraunhofer encoder and make sure my encoder is set to "highest quality" (takes longer to encode... something like 500ms)
I can hear the difference when the MP3 is 128k and encoded with a crappy algorithm. Usually in the cymbals.
But other than that I don't fret myself with deep-diving the "quality" of this stuff... I'm happy with 24/48 and 320k and dithering when I go to 16bit... I've got better things to do than taste-test these standards that I've set for myself... plus... I can't really hear any difference between 320k MP3 and 24/48...
Too much Rock-n-Roll I suppose.![]()
Russell
True. There's no doubt about that. When computer/cell phone memory gets larger and cheaper, that's the way it's going to go.SubRivers wrote:But 32bit 192hz is better - maybe your ears may not be able to tell the difference - but bigger numbers say otherwise.
I haven't hear 64 bit yet - but it is better.
You don't "lose" 90% of the sound...it's data compression algorithms reducing the file size by up 90% ..completely different thingernstinen wrote:But you're losing 90% of the sound by "compression" (which is NOT compression; you just lose 90% of the sound of the master).
Sony & Philips..sometime in the late 70's or early 80'sernstinen wrote:SubRivers wrote:BTW, WHO decided that CDs should be 16bit/44.1 kHz?
That why Apple makes the big bucks.ernstinen wrote:And Mp3s save TONS of data space. That's why they originally existed, to dumb down music and fake young kids into thinking that they were hearing "High-Fidelity." B.S. It was nothing but a money-making scheme, to pack as many songs as possible into little iPods.
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