As songwriters, we wouldn't want our libraries and/or publishers to play games with what we signed on a contract. I believe we should live up to that same standards. Do onto others...

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Maybe If they had a more ethical pricing structure ..
It's impossible to know. Since ASCAP pays on a survey basis, not based on each actual broadcast, nothing to compare to. I don't think about it much. For me, it's just a toy to SOMETIMES get a heads up that a track of mine was used, especially if it is something new. Once a track is getting rerun over and over like on a reality show, it's certainly anybody's guess.boinkeee2000 wrote: ↑Fri May 06, 2022 12:59 amcasey, what's your percentage of detected/missed placements per tunesat?
HA!cosmicdolphin wrote: ↑Fri May 06, 2022 12:36 amMaybe If they had a more ethical pricing structure ..![]()
Congrats Casey!! That's amazing! So happy for you!
The 2000 detections or the $11.53 in royalties?
It's not a not a very good analogy though. If I steal the car, they can't sell that actual car to someone else now because I have it.
I'll tell you what we do as composers. We sign our hard work away for FREE in the hope it will get used, we have music in promos that we don't get paid for , and we have to put up with all sorts of poor practice when it comes to our performance royalties which directly affect our income.
I just spent some time on their TOS page trying to find this provision and did not see it. Maybe I'm just missing it? There's a lot there, naturally.
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