Danny Boy - Solo Piano
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- hummingbird
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Re: Danny Boy - Solo Piano
Quote:Bombaycharlie1,Really nice job! Man, if yours doesn't get forwarded, I'll be floored. Beautiful harmonies.Hummingbird,Nice approach with the vocals! I like that. You know, because your version is sung with lyrics and all, you'll have the added benefit of getting paid something like 5 times more from ASCAP/BMI if it airs on TV than any of our versions would, since vocal performances apparently are considered more "valuable" than instrumental pieces, with a corresponding bump in pay.Smart choice!Thanks - glad you like. Actually, I didn't even consider the royalty thing when I was creating this. I was just playing my strength. Can't get any feedback that your instrument doesn't sound real when it's you singing into the mic
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Re: Danny Boy - Solo Piano
Quote:Quote:Apparently ASCAP's system is very good at detecting vocals but not so good at detecting instrumental music, particularly if it is behind dialog (which it is most of the time, right?). This is according to Film Music Magazine a couple of issues back. Mark Northam of Film Music Network is a big composer's advocate and is always dogging the PROs to upgrade their "song-centric" way of doing things. After all, a large majority of the music heard on TV is instrumental and yet the American PROs continue to devalue instrumental music in comparison to songs. One theory is that they don't want to split the pie up in to a bunch of smaller pieces, thus taking income away from their big songwriter members. The PROs appear to be like the big record companies, slow to get on board with the new technologies.MazzI hate to come across sounding ignorant but if you litter a movie with songs and/or bits of instrumentals, aren't you still splitting the pie up? Or am I understanding this wrong? I tried to read the article but it wouldn't load (it's probably aol, sigh).I think songs simply (or, rather, not so simply ) have an added element, in that lyrics are labor-intensive, both to write well-crafted ones, then to write the music that supports them. I'm not saying in any way that instrumentalists should be shorted, I just think it's apples and oranges. I often think I should give up singing and write instrumentals so I don't have the added complication. This in no way reflects on how instrumentals can heighten the mood of anything they touch, just that comparing instrumentals to songs is hard to do. I know I'd rather be paid just as much for my instrumentals as my songs but I also know it took me less time to write the instrumental than it did the song.I bet I'm gonna get my hat handed to me for saying that and it's probably well-deserved for commenting on something I don't completely understand. I'd rather write instrumentals, myself but I'm such a sucker for good lyrics, I can't seem to move on from there.Squid - we're talking *background* music. For example, my vocal tapestries would be considered *background vocal music* and therefore would (prior to this) be in a different royalty category than *background insrumental music*. Foreground vocal music is a different kettle of fish. How they tell the difference, I don't know.H
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Re: Danny Boy - Solo Piano
Thanks for clearing this up for me, guys. I was a little confused about the difference in terminology between "songs" and "instrumentals." I get what you're saying now.
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Re: Danny Boy - Solo Piano
Quote:Vikki,Where in the signal path are you placing your reverb? If you are using your reverb as an insert on your vocal channels and the reverb itself doesn't have EQ in it then you need to change your signal routing to do what I'm talking about.I'm not sure how familiar you are with aux sends and returns but I'll assume you are and give you a thumbnail sketch of how to set this up:Place your reverb on an aux return channel or a regular unused channel and insert an EQ after it. Make the output of the aux sends on your vocal channels go to the input of your reverb channel. Set the reverb mix to 100% wet, no dry signal. Use the aux sends on each vocal channel to send a portion of that channel in to the reverb. Use the EQ you placed after the reverb to take some of the highs out and then use the fader on your reverb channel to adjust the level.I hope this makes sense.MazzYes, it makes sense in terms of the fact that I can do an Aux send. However, my reverb mix has "wet" as 0.00 db, not %. I set it up like you said and moved it to +.74 & used some Eq & even if that isn't right, it sure sounds better!! I fiddled with the backtracks and doubled them up using an Aub Send as well. I uploaded a new mix. If you don't mind listening again to see if I'm any closer..... that would be great. Owe you a drink in LA http://www.taximusic.com/song.php?song_ ... tream=true
"As we are creative beings, our lives become our works of art." (Julia Cameron)
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