Hi there,
I did a second track for this listing and also mixed it completely different --- and added a digital verb to the mixed down track during the master phase. Good idea? Bad idea? There are no rules! Let me know if you think it sounds terrible.
Here is the track
https://www.taxi.com/members/N5SOUeh_Qe ... s-of-glory
The listing:
LOTS of FANTASY, ORCHESTRAL, INSTRUMENTAL CUES are needed by a globally distributed Music Licensing Company that's represented in over 75 countries and has a lot of success landing TONS of Major Network placements every year!
NOTE: We previously ran this request as Dispatch Listing #D230522TS, but the Company is looking for more material, so they asked us to try again. If you submitted to listing #D230522TS, please send different material this time around.
This Company is looking for excellent Instrumental Cues that could be heard on a playlist with the following references:
"Pinocchio Main Title" by Alan Silvestri
"Polyjuice Potion" by John Williams & Alexandre Desplat
"Only The Beginning Of The Adventure" by Harry Gregson-Williams
Please submit well-composed Fantasy Orchestral Instrumental Cues that can take listeners on a wonder-filled journey. Your submissions should have engaging motifs, sweeping arrangements, and top-notch Orchestral instrumentation that falls in the general wheelhouse of the references (and others like them). Craft your Cues around a central motif, and layer instrumentation in and out as they progress to create a sense of dynamics, forward momentum, and interest. Your productions should be polished, and any virtual Orchestral instruments you use need to be of high quality and very realistic-sounding. If you have tracks that could sound at home in a Fantasy movie, send them in!
Your submissions should be about 90 seconds to 2 minutes long, give or take. Non-faded, buttoned/stinger endings will work best. Do NOT copy the referenced material in any way, shape, or form. Use it only as a general guide for tempo, tone, and overall vibe. Do NOT submit any material with unauthorized samples of any other artists’ music, sounds, or any other form of media. Broadcast Quality is needed.
Fantasy Instro No. 2 and some wacky mix ideas
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Re: Fantasy Instro No. 2 and some wacky mix ideas
Congrats Brian on your forwards! They sound great!
I often put a reverb on the master fader so it gives an even blend, the only downside is not having individual control on tracks like when the reverb is used through an aux send.
Keep these tracks coming, great work man
I often put a reverb on the master fader so it gives an even blend, the only downside is not having individual control on tracks like when the reverb is used through an aux send.
Keep these tracks coming, great work man
Erik Anderson
Website • https://www.eandersonmusic.com
Taxi page • https://www.taxi.com/members/erikanderson
Spotify • https://open.spotify.com/artist/78FpvfK ... 0MClpl1zqA
Website • https://www.eandersonmusic.com
Taxi page • https://www.taxi.com/members/erikanderson
Spotify • https://open.spotify.com/artist/78FpvfK ... 0MClpl1zqA
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Re: Fantasy Instro No. 2 and some wacky mix ideas
Thanks!eandersonmusic wrote: ↑Sat Jul 01, 2023 5:55 amCongrats Brian on your forwards! They sound great!
I often put a reverb on the master fader so it gives an even blend, the only downside is not having individual control on tracks like when the reverb is used through an aux send.
Keep these tracks coming, great work man![]()
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