"I whip my hair back and forth"

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Casey H wrote:Although I totally agree that we need to "Write, submit, forget", I have to strongly disagree with:DesireInspires wrote:Music supervisors really do not contact people that often. They get a lot of music and only make contact when they have very specific needs to meet. Those needs can change by the microsecond.
People say "Write, submit, forget" because composers are not that big of a deal. Even great composers have trouble finding regular work. It really has nothing to do with quality, hard work, or talent. Music supervisors just need the right music at the right time. So it's really based off of luck.
Conclusion: I would not count on getting a phone call from a Taxi forward.Do you really think that someone like Matt Hirt makes his entire living from film/TV music without quality, hard work, and talent??DesireInspires wrote:It really has nothing to do with quality, hard work, or talent.Gimme a break. That is incredibly insulting to all successful film/TV composers who spent years busting their ass and perfecting their craft to get where they are.
And I also strongly disagree with:Have you read the Taxi Success Stories section of the forum? http://forums.taxi.com/taxi-success-stories-f7.htmlDesireInspires wrote:Conclusion: I would not count on getting a phone call from a Taxi forward.
I'm sorry, but I have to say your statement is ridiculous. Hundreds of folks get tracks signed with libraries and/or placed every day do to Taxi forwards.
Is some element of luck involved? Yes, of course. But we make our own luck. Luck is what happens when preparation meets opportunity...
Casey
I took a moment to do just that. It was completely illogical but pursuing a career in music is the best decision I ever made. Thanks for the reaffirmation!DesireInspires wrote:Where is the logic in pursuing a career in music? I think it is time for musicians to reevaluate their artistic endeavors.
Yea, when the male prostitute thing didn't work out...davewalton wrote:I took a moment to do just that. It was completely illogical but pursuing a career in music is the best decision I ever made. Thanks for the reaffirmation!DesireInspires wrote:Where is the logic in pursuing a career in music? I think it is time for musicians to reevaluate their artistic endeavors.
I was...Casey H wrote:Yea, when the male prostitute thing didn't work out...davewalton wrote:I took a moment to do just that. It was completely illogical but pursuing a career in music is the best decision I ever made. Thanks for the reaffirmation!DesireInspires wrote:Where is the logic in pursuing a career in music? I think it is time for musicians to reevaluate their artistic endeavors.![]()
Casey H wrote:Although I totally agree that we need to "Write, submit, forget", I have to strongly disagree with:DesireInspires wrote:Music supervisors really do not contact people that often. They get a lot of music and only make contact when they have very specific needs to meet. Those needs can change by the microsecond.
People say "Write, submit, forget" because composers are not that big of a deal. Even great composers have trouble finding regular work. It really has nothing to do with quality, hard work, or talent. Music supervisors just need the right music at the right time. So it's really based off of luck.
Conclusion: I would not count on getting a phone call from a Taxi forward.Do you really think that someone like Matt Hirt makes his entire living from film/TV music without quality, hard work, and talent??DesireInspires wrote:It really has nothing to do with quality, hard work, or talent.Gimme a break. That is incredibly insulting to all successful film/TV composers who spent years busting their ass and perfecting their craft to get where they are.
And I also strongly disagree with:Have you read the Taxi Success Stories section of the forum? http://forums.taxi.com/taxi-success-stories-f7.htmlDesireInspires wrote:Conclusion: I would not count on getting a phone call from a Taxi forward.
I'm sorry, but I have to say your statement is ridiculous. Hundreds of folks get tracks signed with libraries and/or placed every day due to Taxi forwards.
Is some element of luck involved? Yes, of course. But we make our own luck. Luck is what happens when preparation meets opportunity...
Casey
That is absolutely and unequivocably true.DesireInspires wrote:
I have songs licensed. But there are people more talented than me that do not. There are people that are less talented than me that make a lot from licensing.
DesireInspires wrote:I am not here to insult people. But the music business is tough. I do not think giving people false hopes is honorable or wise.
mojobone wrote:That is absolutely and unequivocably true.DesireInspires wrote:
I have songs licensed. But there are people more talented than me that do not. There are people that are less talented than me that make a lot from licensing.
DesireInspires wrote:I am not here to insult people. But the music business is tough. I do not think giving people false hopes is honorable or wise.
Your opinion is as good as anybody's, but where do you get off, telling people whose hopes are false? We all know the biz is tough, but it surprises me, weekly if not daily, who succeeds and why; I would never tell anyone to give up; some of my worst guitar students will maybe never correctly execute an arpeggio at 120 BPM, but many of them routinely write stuff I can't even conceive of.
They say it better than I ever could:DesireInspires wrote:But I think it is wrong to tell composers to "keep the faith" when there is an abundant amount of evidence that making a living from music library placements is not a possibility for most.
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