Cues with recurring melodic motifs and dynamic builds are encouraged, and please stick to one motif throughout your entire piece. In other words, don’t try to score an entire film, just one scene! Please avoid anything that’s too heavy, busy or bombastic. Any material that sounds stiff or “synthy” won’t work for this pitch.
All submissions should be at least 2:00 minutes in length, with good edit points (when possible) and non-faded endings with natural decay/ring outs will work best for this pitch. Do NOT copy or rip off the references in any way, shape, or form. Use them only as a general guide for tempo, tone, texture and overall vibe. Broadcast Quality is needed (great sounding home recordings are fine).
This new, Exclusive, In-House Library will pay an initial buyout fee of $250 for 100% of the Composition and Master rights. On top of the per track fee, you will also keep 100% of the Writer’s share of the publishing and make applicable performance income. This Library offers an EXCLUSIVE deal, so the music you submit for this pitch CANNOT be signed with any other publishers or catalogs. Please submit 1-3 Instrumental Cues Online or per CD. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Monday, October 3rd, 2016. TAXI #S161003AOSubmit to this listing TAXI # S161003AO ITS AT HTTP://WWW.SOUNDCLOUD.COM/777RD I am not concerned about the mix at this moment more concerned about the structure I repeat They’re on the hunt for peaceful, sweet Down-to-Mid-Tempo Instrumental Cues that can include solo instruments, small ensembles, full orchestras, harps, or any combination thereof. Did I miss something? Ron
Casey