Thanks, Paulie, for making me spit tea all over my monitor!Paulie wrote:Based on some of the drivers I've dealt with I'd love to see a few horses around.

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Thanks, Paulie, for making me spit tea all over my monitor!Paulie wrote:Based on some of the drivers I've dealt with I'd love to see a few horses around.
I still feel sorry for the blacksmiths though.On the flip side, two or three decades ago, I did not have anything approaching the new opportunities that are available today. Look at what we can do with music production, and look at all the avenues available to us. To pull off then what we do now, I'd have had to have access to a concert hall and musicians on call ready to drop whatever they're doing and meet me in 30 seconds.
AndrewScott wrote:I despair for the future of musicians.
Orchestral sound samples have become so good I often find myself wondering as I listen to a movie score whether the recording used real musicians or was it all produced from a computer.
And if I as musician can't tell the difference what about the general public?
How long before real musicians aren't required anymore for recordings because the samples are so much cheaper and sound just as good?
Any thoughts?
Exactly. Who hires a drummer anymore for session gigs?the same feeling drummers felt in the 1980's when the drum machine was born.
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