Chorus Differentiation - tips & tricks

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Mark Kaufman
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Re: Chorus Differentiation - tips & tricks

Post by Mark Kaufman » Wed Jun 18, 2008 12:29 pm

Seems like I go the opposite order of Milfus, usually...I start with feel, then tweak the beast into shape.

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Re: Chorus Differentiation - tips & tricks

Post by devin » Fri Jun 20, 2008 1:14 am

"time of your life" by Greenday happens to break a whole bunch of guidelines...I wonder if any of us submitted that song today if it would get any love?I think I'm closer to Mark...I just notice "hey, that sounds right". Then I have to hammer out where the song should have started from, and where it should go after the part that I stumbled across. Not having enough theory at my disposal makes it a longer process, I'm sure.Would it be safe to say:- for the modern Taxi country posting, start with making the strongest chorus hook (lyric, melody, music) you can dream up, and then write a song to point to that?
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Re: Chorus Differentiation - tips & tricks

Post by Mark Kaufman » Fri Jun 20, 2008 8:19 am

Jun 20, 2008, 4:14am, devin wrote:Would it be safe to say:- for the modern Taxi country posting, start with making the strongest chorus hook (lyric, melody, music) you can dream up, and then write a song to point to that?It wouldn't be safe for me. I find it liberating to be open to several different approaches to songwriting. I think if I fell into one particular method or formula, even for Country, I would begin to stagnate and become predictable.Maybe that's not such a bad thing, predictability...But my point is based on being open to whatever smacks me on the head and then running with it. Sometimes it's a riff, sometimes it's a concept, sometimes a bit of lyric. The important thing for me is to recognize the possibility of a song, and then draw the rest of the picture. Here's a foot...now draw the woman.

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Re: Chorus Differentiation - tips & tricks

Post by edteja » Sat Jun 21, 2008 2:33 am

Write the song, record it and become a star--that will draw the women.
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Re: Chorus Differentiation - tips & tricks

Post by Casey H » Sat Jun 21, 2008 2:39 am

Jun 21, 2008, 5:33am, edteja wrote:Write the song, record it and become a star--that will draw the women.Are there groupies for NON-PERFORMING songwriters? I mean, the money isn't great, there must be something!! Casey

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Re: Chorus Differentiation - tips & tricks

Post by Mark Kaufman » Sat Jun 21, 2008 7:24 am

I think that just draws non-performing women.

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Re: Chorus Differentiation - tips & tricks

Post by Casey H » Sat Jun 21, 2008 8:06 am

Jun 21, 2008, 10:24am, lyle wrote:I think that just draws non-performing women.ROFLMAO!! I guess that's kinda like marriage...

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Re: Chorus Differentiation - tips & tricks

Post by hummingbird » Sat Jun 21, 2008 10:00 am

Jun 21, 2008, 11:06am, hurowitz wrote:Jun 21, 2008, 10:24am, lyle wrote:I think that just draws non-performing women.ROFLMAO!! I guess that's kinda like marriage... well they say you have to "lift" to the payoff of the chorus
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Re: Chorus Differentiation - tips & tricks

Post by edteja » Sun Jun 22, 2008 5:31 am

Actually, the best way to differentiate the chorus is to have everyone sing "ONE MORE TIME!" like in Henry the Eighth.
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Re: Chorus Differentiation - tips & tricks

Post by linziellen » Sun Jun 22, 2008 10:26 am

This is interesting. When I write a song the chorus tends to be even damper than the verse. So I often sit at the piano wondering how on earth I'm going to wrap it up and keep it catchy. I admit 99% of the time I go with what feels right and while I try to be merry with my melodies they do tend to veer toward the dark side. Little by little I'm developing a signature without actually trying. I'm happy with that but I also long to write something a little sweeter on the ears. Though I keep reading that a song/lyric should not be forced, so I guess I gotta go with the flow and hope that it works for others as well as myself. It's not an easy balance. Have I side tracked?!? Linzi

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