I need some advice

[jchitty]

Quote:I journaled 3 pages a day for about 4 years, after assimilating the Artist's Way too, Chits. Loved it. It really helped me clear my mind daily, and also kept me from wasting too much time writing/producing songs that sucked. (That's what I did needed, not what you do.) You'll never be sorry you got the book.Hey, thanks, Steve. Yet another recommendation for "The Artist's Way." I trust you folks on this....all of you have been writing a long time. Can't wait to crack it open tonight.

[hummingbird]

Quote:BTW, Ted, I bought a copy of 'The Artist's Way.' I'm excited about reading it. I'm gonna sit down and curl up with it tonight. Well, yeah, I've written a lot of songs...whether they are good songs, well, that's a WHOLE 'nuther story. Ah, good!! You will also need a notebook or journal. The Artist's Way is a workbook, and she gives you tasks to do. If you wanna share what's happening at all... PM or email me... my girlfriend and I did the AW together about 4 years ago now... helps to have someone else to talk to about it... took us about 3 months to do the 12 week course as sometimes we sat with a chapter for a couple of weeks... I resisted it sometimes, I grieved it sometimes, sometimes I found it joyful and uplifting. In the end, I was clearer about who I am and what I want... and I'd gotten deeper into songwriting... and I'd begun to paint.H

[jchitty]

Quote:Quote:BTW, Ted, I bought a copy of 'The Artist's Way.' I'm excited about reading it. I'm gonna sit down and curl up with it tonight. Well, yeah, I've written a lot of songs...whether they are good songs, well, that's a WHOLE 'nuther story. Ah, good!! You will also need a notebook or journal. The Artist's Way is a workbook, and she gives you tasks to do. If you wanna share what's happening at all... PM or email me... my girlfriend and I did the AW together about 4 years ago now... helps to have someone else to talk to about it... took us about 3 months to do the 12 week course as sometimes we sat with a chapter for a couple of weeks... I resisted it sometimes, I grieved it sometimes, sometimes I found it joyful and uplifting. In the end, I was clearer about who I am and what I want... and I'd gotten deeper into songwriting... and I'd begun to paint.HThanks, Vikki. I When I get the process started with the notebook, I'll let you know what develops. I have to admit I'm a little intimidated by this book, but maybe, that's a good thing.

[michaeldean]

Boy, I think if I were on a roll like that, I'd try to ride it as far as I could! Seems like it's got to slow down some time (knock on wood), and hey, technology just keeps getting better and cheaper...I, too, have very much enjoyed TAW (and sequels), though I was not particularly diligent about doing the morning pages. I got a lot out of just reading the book, doing some of the exercises, and doing the pages for a couple of months.I really can't relate to people who write prolifically. I think I've completed about a dozen songs in the last 15 years (really).I think, perhaps it's because I do most of my editing in my head before I even write anything - if it doesn't really work I don't bother to write it down. I don't think this method is superior to any other (on the contrary, in fact), but one advantage it does have is that I don't have to go through all that narrowing down my song list to find the one(s) to record! I've spent about a year rewriting my latest song (that's after spending several months writing it the first time). Sure, I write other tidbits from time to time, but I didn't really feel I could "move on" until it was complete. It's a frustrating way to work at times, but I guess it works for me - the song got forwarded.I guess my point is, we all have to do what works for us. Being concerned about having "too much" inspiration seems a bit like being worried about being "too joyful". It's a problem a lot of us would like to have...Then, again, as I write this it occurs to me that the attitude I expressed in the opening paragraph is largely based on the scarcity principle - there's only so much inspiration, so you have to get it while it's hot (so to speak) - the more I ponder it, the more I gravitate toward Squid's point of view, which seems to say that there's limitless inspiration out there, so why not take a short break and record a song or two?Well, the good news is, either way you can't really lose...

[mixopenta]

I envy everyone that has this kind of productivity. I really wish ideas would keep popping into my head like this. I Spoke to another taxi member awhile ago that had the same kind of "problem", couldn't barely finish one song until another one was in the pipeline...I Consider making good music being a little like photography; you need at least 100 pictures to get a single good one, often more. So this is a valuable gift, - nurture it! I have 160 songs that made it to the PRO over a period of 30 years...compare that to 106 songs in two years Gotto get to work...

[sgs4u]

Ulf, Madness exists on every point of the bell curve. Starting too many ideas, can certainly be a burden, as well. Every song, is your painting. Life your life. Quote:I envy everyone that has this kind of productivity. I really wish ideas would keep popping into my head like this. I Spoke to another taxi member awhile ago that had the same kind of "problem", couldn't barely finish one song until another one was in the pipeline...I Consider making good music being a little like photography; you need at least 100 pictures to get a single good one, often more. So this is a valuable gift, - nurture it! I have 160 songs that made it to the PRO over a period of 30 years...compare that to 106 songs in two years Gotto get to work...

[mixopenta]

Quote:Ulf, Madness exists on every point of the bell curve. Starting too many ideas, can certainly be a burden, as well. Every song, is your painting. Life your life. As said by a wise man. I guess balance is key in everything.

[clonsberry]

Quote:..perhaps it's because I do most of my editing in my head before I even write anything - if it doesn't really work I don't bother to write it down.Some of what I feel is my best material is stuff I've put away for months or a year and, when I go back to it, it's all clear and I can easily finish it. Is it clearing me head? Maybe. Or is it that time it bakes in your subconscious? Maybe. And there are the ones that you go back to and say "what was I thinking?!". It's true that the methods we write with are as diverse as the songs we write and the people writing them.Quote:I guess my point is, we all have to do what works for us. Being concerned about having "too much" inspiration seems a bit like being worried about being "too joyful". It's a problem a lot of us would like to have...Or too much money. If anyone has THAT problem, I can help.

[jchitty]

Some very good insights here from all you folks. Thanks.

[squidlips]

Quote:Quote:..perhaps it's because I do most of my editing in my head before I even write anything - if it doesn't really work I don't bother to write it down.Some of what I feel is my best material is stuff I've put away for months or a year and, when I go back to it, it's all clear and I can easily finish it. Is it clearing me head? Maybe. Or is it that time it bakes in your subconscious? Maybe. And there are the ones that you go back to and say "what was I thinking?!". It's true that the methods we write with are as diverse as the songs we write and the people writing them.Quote:I guess my point is, we all have to do what works for us. Being concerned about having "too much" inspiration seems a bit like being worried about being "too joyful". It's a problem a lot of us would like to have...Or too much money. If anyone has THAT problem, I can help. I can help you help them. I could get the hang of spending money. I think. If I practiced really hard. Also, songs gotta cook. Some not so much. Some gotta simmer for a while. The difference between cookin' brownies and cookin' jambalaya. Walking away from it is one of the ways I deal with it too. I trust that part of my brain (the smarter, quieter part) that is more involved with the creative process to be on the job pretty much 24/7.