
Sheila Davis is exactly right; it's why her book is still relevant, despite her example lyrics getting mighty long in the tooth.
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When I first started writing songs (a long time ago) I loved all of my songs. I mean I REALLY loved them, thought they all should be hits. Many songs and years later my band got a deal with a major label, after which I got a writing deal with another label, then an international (meant something at the time) management co., . . . long story short, if you write enough songs you eventually learn that your judgement is clouded "by the moment". I do have songs of mine that I really like and some that I wish I'd never written but I don't think you can pass a true judgement with a clear head until long after the song is finished.Len911 wrote:Why in the heck would anyone write a song they didn't like or love? You might not love it forever, but gee whiz,lol! I believe there are more than just two types of people in the world, people who love their song and see no room for improvement and would be devastated for a change and the "professional" whom only writes from the head and will change anything if they think it will make them a buck. Of course if you read that in a book, that is a book author firstly and foremost. That's almost like a singing book instructing performers to sing without any passion and emotion. Imo if you don't like or love your song in the first place, why make changes, just drop it in the garbage. I usually find something I love in every song I write, but often times the rest of the song built around the part I do doesn't work or develop properly.
The thing with songs is that even if a million people like your song enough to buy it, there are hundreds of millions of more who didn't, and probably at least 5 million who think it totally sucks, so if you don't love it, destroy it already!lol!
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