(P.S. You're from South Bend! I was born in Warsaw, IN

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I've been singing on average 190 jazz and rock gigs a year for 16 years plus 20 years of vocalization before that with tons of ear-training and vocal coaching and I still suck. I would say I've improved over the years but not to the point that I would call myself a legit vocalist. Some people have it and some don't.matto wrote:Just stating the obvious here...pitch problems and really the majority of other vocal problems can be greatly reduced by taking lessons from a qualified vocal coach and improving your eartraining.
Most of these issues are caused by a lack of control combined with an underdeveloped sense of pitch.
If it is important to you that you yourself sing your songs, investing in the development of your own voice and singing ability would be a very worthwhile investment indeed.
matto
great analogy but I prefer natural attributes and what on earth did vocalists do before the digital age? ANSWER: mostly sing on pitch - or not - but whatever they sang it was nice to listen to.allends wrote:Recording your own vocals without pitch correction tools is like trying to be a super model without enhancement surgery: You can practice the walk to perfection, but you also need the “pop” to be competitive.
Well, I disagree. If you can sing on key you can be competitive & there are a lot of successful bands/artists/vocalist who don't use pitch correction.allends wrote:Recording your own vocals without pitch correction tools is like trying to be a super model without enhancement surgery: You can practice the walk to perfection, but you also need the “pop” to be competitive.
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