-Composer receives 50% of "all pro-rata NET profits actually received" by the (sub) publisher.
-Exclusive IN PERPETUITY.
-No upfont $.
Now so far this deal appears patently lousy to me - the only 2 back end royalty related things that have me considering it are:
1) the (sub) library guy interested in the 3 tunes in question supposedly has an immediate need for music in this genre for a reality show.
2) The main associated library has been placing other tunes of mine in some reality shows on History channel, A&E, etc. , which I do appreciate (they got them from an altogether different sub publisher/library).
So do I ask for better contract terms, such as a 3 year reversion, risking the library completely losing interest?
Bejeebering minds want to know
