hey Lesmac,lesmac wrote:Given all the great information provided so far unless you want a pick-up for live work do you really need one at all?
You were willing to spend 700 bucks on a guitar with a pick-up in it but would you consider doing a few things to make your studio space usable for recording.
Maybe you don't need to build a cabinet for the computer [ and overheating is a worry there, hence my friend opening and closing the door].
The use of gobos goes back a long way for isolating different sound sources. These can be placed strategically around a computer. Basically a bit of particle board with some absorptive material on one side [or 2] and Bob's ur uncle!
Couple that with a reflexion filter around the mic and you could get decent results with vocals and a variety of acoustic instruments.
Just worth a thought?
yes, i'm already planning to get the SE Electronics Reflexion Filter Pro next month for my mic. i'm psyched about that and it's high time! my computer is a macbook pro. if it gets really noisy i stick a pillow over it while recording but it's not a great solution, so maybe i'll spend some time googling how to make a cabinet type thing for it. i do think the reflexion filter will help a lot though. thanks for the suggestions.
thanks HowlingUlf, i like the price on that

that's good to know, Len911. is that the same for laptops, too? i'm guessing not, but i'll look into it.Len911 wrote:
Replace case fans with quieter ones. They're inexpensive and easy to change out.
thanks for the recommendation, funsongs. i watched the video, it does sound good and really is a reasonable price.funsongs wrote:Just for the heck of it... check out one of these...
most of the big instrument Internet companies carry these;
around $300, but you'll need/want to get a good case?, which is additional
Epiphone EL-00 PRO Acoustic/Electric Guitar
https://www.youtube.com/watch?v=qaHZHVEf-Uo
good luck; and good playing.
hth, cheers.
ed. NOTE: in the video, the guitar is plugged in, using its built-in electronics; plus the use of a stand-alone external mic.
Gives you good-sounding options at a very reasonable price.

wow, lots of stuff to think about there, mojo, thanks so much! yes i'd like a Taylor! and i know that plenty of people agree with you that recording with an external is the best route. i just like the idea of plugging it in and not having to worry about the room acoustics, the fan noise, my breathing, headphone bleed, etc, but maybe i'm just trying to find an easy way out.mojobone wrote:Pickups for acoustic guitars are primarily for stage work, because they compromise the sound; whatever's coming off the pickup nearly always needs a lot of massaging to even resemble an acoustic guitar. It can work in a mix, but when your guitar is alone, naked and afraid, it needs the room around it to sound right; room reflections are part of what makes it sound 'acoustic' and no pickup can provide that, by itself.
That said, there are a few pickup systems that are less of a compromise than most. Taylor's Expression system combines several different technologies to represent your guitar's natural sound (including an 'invisible' magnetic pickup under the neck) and it works pretty well; as close to plug and play as it gets, IMO. (and they come that way from the factory) Fishman's Aura pickup/ preamp system does a really decent job as well, but you have to tote along a stompbox anywhere you play and because it uses convolution technology it really does sound like a guitar, just not necessarily your guitar. Prism and B-Band's "condenser" P/U tie for about third, though Prism's multi-sensor approach requires a lot of trial and error, results are superior to the B-band when you get it just right. I have a Baggs Double Barrel installed in my dreadnought; it features an under-saddle piezo and a mini omni condenser mic and requires a stereo cable and separate signal paths/preamps for best results and as you may have already guessed, I STILL prefer a mic, (or three) when I'm recording. Personally, I think you're best off with a quality guitar, a remote for your DAW and a long mic cable, if fan noise is the issue. At least with the Taylor, you have an axe that's worth miking up, and the pickup sound won't hurt your ears. (though knowledgable folks will still be able to tell it's a pickup. There are also some soundhole pickups that are easy enough to self-install/remove, IF your soundhole is standard size and not an oval. Fishman's Rare Earth magnetic/mic combo is among the best sounding, as is the Sunrise soundhole magnetic, if you can find one, but it requires a custom preamp installed within the guitar body or a goofy looking box hanging off your endpin jack.

Thanks again to all you guys, i really appreciate your thoughts and help
