But if you're out there and willing, I'd be honored. (the lead is pasted below)
For my WIP track, I haven't focused enough on orchestral mixing, so I wonder how you hear the mixing aspects at this stage?
And what about the bass notes for instance? Too repetitive and non-fitting right now?
Anything you could remark on would be highly appreciated!
[Edit: the track is finished now, but I still highly appreciate any feedback even after the deadline.]
I might use more bus routing and mixing plugins, like the usual hardware emulation plugs that I didn't yet add everywhere.
So far, I've been busy with composing and adjusting volumes etc. since I started this Tuesday or so.
It's a bit quicker orchestral work than I usually have done. Some orchestral full sections patches and some individual instrument patches.
[edit: I finished the track now, added a button, changed & adjusted a bunch of things, added more bus routing and mixing plugins, like hardware emulation plugs that I didn't add for the first upload.]
Hey Ed for instance, time's running out!!! aaaahhhh!!!! How fitting for the cue hahahaghhh cough cough... eww....
But why not exchanging feedback on both our tracks anyways?

[edit: Thank you Ed for the feedback back!]
The track is now uploaded and public on my TAXI profile page, linked in my signature.
http://www.taximusic.com/hosting/home.p ... edrik-park
Name of the track is "Assassin Hunted" WIP
Thanks a ton in advance any and all !!
NEW LISTING -- DRIVING TENSION CUES are needed by a NON-Exclusive Film/TV Music Library supplying music directly to a very popular HBO TV Show. They're looking for rhythmically and melodically driving, Mid-to-Up-Tempo Tension Cues that you'd expect to hear in fast-paced chase scenes. Please listen to the following clips to get an idea of what could work for this pitch:
Casino Royale: https://www.youtube.com/watch?v=iZxNbAwY_rk
Terminator 3: https://www.youtube.com/watch?v=gIYd2aUEXfI
Takers: https://www.youtube.com/watch?v=w5EQRIoHjQg
Please submit rhythmic, tension-fueled Cues that deliver a high-impact vibe, similar to the references above. Your instrumentation can be solely orchestral, or any other hybridized genre with orchestral elements, as long as your submissions have a distinct action-based, tension style and sound.
All submissions should be at least 2 minutes in length. Do NOT copy or rip off the referenced music in any way, shape, or form. Use it only as a general guide for tempo, tone, and vibe. Broadcast quality is needed (great sounding home recordings are fine).
This company offers a NON-EXCLUSIVE, 50/50 split. You'll get 100% of the Writer's share. The Publisher will get 100% of the Publisher's share. You must own or control your Master and Copyright to submit for this pitch. Please submit one to three Instrumentals online or per CD. All submissions will be screened and critiqued by TAXI and must be received no later than 11:59PM (PDT), on Sunday, August 28th, 2016. TAXI #S160828DT