Forwarded for Sci-Fi Tension Listing

[riffsthatrule]

Hey everyone!

Just got the news and thought I'd post it up. I submitted two tracks for this listing, only one was forwarded but hey, I'll take it.

https://soundcloud.com/user-908890078/a ... g-decision



Lots of Sci-Fi, Lab-Style TENSION INSTRUMENTALS and/or INSTRUMENTAL CUES are needed by a European Music Library that's looking for a quite a bit of music in this style! We would guesstimate that they'll want to sign at least 10 Instrumentals in this style!

This company is proactively stocking up for the onslaught of TV shows, feature films, documentaries, and cable news specials being written now and going into production when the “all clear” (or mostly clear) sounds. As you might imagine, there will be a boatload of these projects coming up, and that means this company will need a hefty stash of music to satisfy the demand.

Please listen to the following references to get in the general stylistic ballpark of what they’re looking for:

"Bat and Pig" by Cliff Martinez

Plague Inc Evolved

"The Birds Are Doing That" by Cliff Martinez

If you really, really want to be at the top of your game, watch all these movies and TV shows, and take notes when you hear music! It will help pass the time while you’re cooped up, and you’ll be a pandemic-music-making genius when you’re done! Seriously, do it now, and tell your family to leave you alone because you’re “working,” lol!

Please submit well-composed Sci-Fi, Lab-Style Tension Instrumentals (and/or Cues) that could support suspenseful Lab scenes in Sci-Fi TV Shows and/or Films! Think of the type of music that might play when scientists in white lab coats are working ‘round the clock looking into microscopes and Petri dishes trying to come up with a world-saving vaccine. We’re not going to tell you how to compose these, but you might try experimenting with a very subtle (soft, muted, no top-end) percussive, mildly arpeggiated approach, and some pulsing synths. Add some unsettling tension, and voila!

You’d be smart to stick to a singular motif throughout. Your goal is not to score the film or show. They’ve already got somebody to do that. Your job is to create music that editors can fly into a scene, and it works well because it doesn’t go through the changes that a score likely would!

Submissions should be about 90 Seconds long, give or take. Non-faded endings will work best. Do NOT copy the referenced material in any way, shape or form. Use them only as a general guide for tempo, tone, and overall vibe. Broadcast Quality is needed.

This company offers an EXCLUSIVE deal. You’ll split any upfront sync fees 50/50. They’ll get 100% of the Publisher’s share, and you’ll keep 100% of the Writer’s share. You must own or control 100% of your Master and Copyright. Since this is an EXCLUSIVE deal, please be sure the material you submit for this pitch is NOT signed with any other Libraries or Catalogs. Please submit as many Instrumentals and/or Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, June 23rd, 2020. TAXI # S200623CD

[superkons]

Congrats, mate, well done!!

[riffsthatrule]

Congrats, mate, well done!!

Thanks, Marco!

[5barIMP]

Well done - it's really good

[riffsthatrule]

Well done - it's really good

Thank you so much! I’m glad you like it