Here are the links to my tracks :
https://www.taxi.com/members/XGCpSwegQ3 ... l-tomorrow
https://www.taxi.com/members/XGCpSwegQ3 ... s-together
It's always hard to face rejection especially when you have high hopes, I admit it, but I'll take the screener's critique into consideration and move on. And I would be really interested in hearing all of your work that got either forwarded or returned for this listing.
This was the listing:
Several EMOTIONALLY UPLIFTING ORCHESTRAL INSTRUMENTAL CUES are needed by a very successful boutique Music Library that's distributed by Universal and has tons of credits in Big Films, Countless TV Shows, and Commercials!
This is a catalog you want to be in! Please listen to the following examples our client gave us to get yourself in the ballpark of what they need:
Instrumental Examples
Quoting The Music Library: “These reference tracks are intended to inspire you and help you understand what we’re after. The examples should give you a deeper and more intuitive feel for the main aspects of composition, mood, and sound, but in no way are we asking you to copy them. We’re looking for your own unique interpretation.”
The client is looking for Inspiring Instrumental Cues that start quietly and build to a lush, dramatic climax. Submissions should have ONE clear compositional concept per Cue and should continuously build throughout. Please avoid very prominent melodies, and instead use understated motifs and accents that complement the patterns/textures.
Your Instrumental Cues should be primarily Orchestral-based, and should be relatively minimalistic in their arrangements. They are NOT looking to hear epic trailer style Instrumental Cues for this request. It’s fine to have a few lower percussion hits in isolated spots, but in general, stay away from anything that sounds too big or grand.
TAXI Tip: Please be sure any Orchestral instrumentation you use sounds realistic, and not stiff or synthetic. Top-notch programming, and the use of excellent samples and virtual instruments are all requirements for this pitch.
All submissions should be about 2 minutes long, give or take. Good edit points and Non-Faded, Buttoned/Stinger endings are required. Broadcast Quality is needed.
NOTE: This company is only interested in signing material from composers who have worked with music libraries and music licensing companies in the past, and understand how those deals work. If you don't understand the drill on library deals, they politely ask that you don't submit to this request.
This Music Library offers an EXCLUSIVE deal with a cool twist. You’ll keep 50% of all gross income generated by your music, plus you’ll retain 100% of the Writer’s share income generated by your PRO. In other words, if the company licenses your music under a blanket deal, you’ll get income. If they license it for a YouTube video, you’ll get income. Not all music libraries pay you for things like that! The Publisher will get 100% of the Publisher’s share.
Because this is an Exclusive deal, the music you submit for this pitch cannot already be signed with other Libraries or Publishers. You must own or control 100% of your Master and Composition rights. Please send as many Instrumental Cues as you’d like, online or per CD. All submissions will be screened and critiqued by TAXI. Submissions must be received no later than 11:59 PM (PDT) on Tuesday, July 14th, 2020. TAXI # S200714UP
