Well, Tom...the screener either cannot discern that there is real brass on the track or the screener is not competent to properly assess accurately what is wrong with what he/she are hearing. There is no third option.CTWF wrote: ↑Thu Jan 21, 2021 10:29 amTresero has gotten the stiff/MIDI comment from screeners more than once over the years. It is recorded players, so is it not worth investigating why the screener gets that feel even though it is recorded players? Is it the mix? Is it the mic placements? What is it why that screener thinks that and does not forward it? What are her/his references and how do they differ from Tresero's tracks?Robertj64 wrote: ↑Thu Jan 21, 2021 6:16 amOne thing consistent with this forum is that when you bring an unfair review, someone will find a fault with it that has nothing to do with the feedback mentioned. I really like the mixes by the way and no they do not feel midi sequenced at all. Congrats on your placements!
Just trying to bring in some perspective here.
Listening just to the first track, yes, great track, but it does not sound particularly "organic". Is it lacking room ambience? Lack of background noise? No idea. But it does make me curious.
Does the song pass in the fundamental structure of being on pitch, arrangement, mix and production rise to the level for a tv/film production. That should be the main crux of focus here...not to speculate what the screener was thinking or to pick apart the mix to justify the decision. The screener here simply failed to properly assess the track and gave feedback that was not helpful.
In summation, we can all agree here that these tracks are up to par for a film or tv production and that again the return was not helpful because the OP is fed up and I don't blame him.