TWO for Orchestral Composers

We're putting YOU in the drivers seat!

Moderators: admin, mdc, TAXIstaff

User avatar
andygabrys
Total Pro
Total Pro
Posts: 5567
Joined: Sun Jan 02, 2011 10:09 pm
Gender: Male
Location: Summerland, BC by way of Santa Fe, Chilliwack, Boston, NYC
Contact:

Re: One for Orchestral Composers

Post by andygabrys » Mon Oct 28, 2013 1:15 pm

Cruciform wrote:Hey Brian,

I'm going off-topic here but a discussion late last year completely changed my thinking and how I approach sound-alike stuff. There's a really great thread that everyone should read and it includes HZ's opinion on the topic. Some way down on page 2 Hans weighs in under the username RCTec. If you get the time read the whole thread. Much of it is noise but tucked in there is some real thought provoking content - http://www.vi-control.net/forum/viewtopic.php?t=22473 He responds a number of times through the rest of the thread.

It may not be as timely now he has openly stated he's moved on from the Inception/Dark Knight era but in general it's worth at least thinking about because the simple reality is that the names change but the same issue is played out daily in the media music world.

Anyhoo, it's all personal journeys.

Good luck! :)

wow that was a read. very interesting about the general thoughts of cheapening the value of music (i.e in this case HZ's) by its imiation not only in other scores but in library music high and low.

thanks for posting Rob!

User avatar
Cruciform
Serious Musician
Serious Musician
Posts: 2130
Joined: Sat May 08, 2010 11:24 pm
Gender: Male
Location: Sunshine Coast, Australia
Contact:

Re: One for Orchestral Composers

Post by Cruciform » Mon Oct 28, 2013 6:06 pm

andygabrys wrote:thanks for posting Rob!
Welcome! :) I read all his posts. It's like a free masterclass!


Post Reply

Who is online

Users browsing this forum: No registered users and 40 guests