
How are you doing? I tried to find you on soundcloud but couldn't find you?
I wish I was on a place where a publisher would have any interest in signing only pre-existing, but I am still too new in the game




-Silje
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Hi Silje. Okay, now I have a better understanding of your situation. I think Casey's advice is good:Silje wrote:Hey Richard![]()
How are you doing? I tried to find you on soundcloud but couldn't find you?
I wish I was on a place where a publisher would have any interest in signing only pre-existing, but I am still too new in the gamehopefully in the future
Now its pre-existing and everything I do for the next three years... E-mailed Taxi earlier to see what they said, will wait until they come back to me before I submit anything else. I will still hang out on the forum though, and I have already started counting down to the rally
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Even if I couldn't submit anything else it would be worth it just for the rally, they should make it twice a year!
-Silje
Regarding collaborations, it brings up an interesting issue. Does your agreement with the publisher also impose the same limits and obligations on your co-writers who presumably have not signed a deal with the publisher? I assume your co-writers would need to assign their rights to the publisher for these specific pieces, correct?However, if you signed a deal with a publisher you can ask them if it's OK to pitch through Taxi for direct to supervisor (no other publisher/library) listings as long as you indicate (you could put it in the lyrics section) "(c) PUBLISHER XYZ". But I would also check with Taxi even if the publisher said OK, just to be sure it wouldn't cause them any issues with the client, violate their policies, etc.
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