
For the latest 40 forty hits, Dubai has Virgin Radio which is based on the European market. I love anything by Gavin DeGraw or 3 Doors Down.
When all else gets old, my Beatles Box Set never fails.
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I don't see it as 'sad' if we're fortunate enough to be writing so much of our own music that we have less time or less of a desire to listen to other people's music...I would rather create than consume, personally.comasj wrote:I get the silence thing. I liked that a lot when I was gigging frequently. It is sad in a way though, that work can make us want to avoid something we once (presumably) loved so much.
Good point, Chuck! i'm still on a bit of a high from the bruno mars gig i saw last month. it had been a long time since i'd been to a big show and i just ate up the energy in the room. it gave me chills to hear the connection the audience felt with the music as they sang along on a few songs. they cheered, smiled, danced. reminded me what a powerful force music is. bruno and his band did an awesome live show too, the kid can really sing. Sounds like Sonny was pretty fierce too!crs7string wrote:I may be the first to chime in about making the effort to hear some live music.
I think as composers we have become so accustomed to sitting by ourselves when we work thru the process of producing a track that we have forgotten that music is a communal activity with a high level of communication between the players and the listeners.
Also, we may have forgotten the effect of an ensemble, large or small, moving air in a hall or club.
There is power in the communication of music. I think a great live performance on occasion can remind us of that power that may have become somewhat diluted as we sit in front of our DAW tweaking the velocities of a string line.
Chuck
Only way to get that true Status Quo sound is doing the 2/4 beat nods in the bedroom at 1ammatto wrote:I think when we are trying to emulate real musicians in a virtual setting, being able to visualize the player(s) we are trying to emulate and having an understanding of how specific visual gestures of, say, bowing, translate into specific sounds can be incredibly helpful towards achieving more realistic phrasing and expression.
Ya I get that, maybe that's why so often my most original ideas happen when I'm waking from sleep, or in the shower or washing dishes...all the external noise is filtered out.Hookjaw Brown wrote:
Unless one is doing research I believe that there is so much ambient music (or noise if your prefer) out in the world we live that one needs the quiet times to let the inner song develop.
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