Nothing wrong with country. I was just mentioning that if it's NOT your target genre, many Nashville studios don't do it well as the are a bit cookie cutter country. "Cookie cutter" was not said with negativity, just that they have a formula/method for cranking out country songs. They do that very well. Do I assume Film/TV is not your target with these songs?funsongs wrote: ↑Thu Sep 08, 2022 9:48 amCertainly; happy to help.20centjukebox wrote: ↑Thu Sep 08, 2022 6:32 amThank you Peter! If you're still in a sharing mood, I'd love to hear what they did with you. Thank you for the well wishes
OK - so, check your email for notification of a "PM"/ Private Message.
Cheers.
PS: no offense to Casey: but I hire BMG precisely BECAUSE they DO Classic Country & Country-Gospel, which is my "wheelhouse"...
all day long...
when it's not Bluegrass/Americana/Funk/R&B/Jazz... TMI...![]()
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My experience has been that if it's Taxi submissions for Film/TV you are looking for, many studios are not good at the whole "a la" thing. Hiring a Taxi member who produces is much more effective there. The reason I recommended NDF is it's the only one I've found that comes close to that. Also, studio prices are quite high (Can be $650-$1200 with WFH rights). I work with some Taxi members who do great work, understand the Film/TV "a la" game, and charge less than these studios.
Of course, it depends on your goal. If you are pitching country songs for artists to record, these studios are very well suited.

YMMV
