www.dictionary.comsen wrote:No man, I just didn't understand the word why he would say that. Remedial doesn't make sense to me.Kelil wrote:Be nice Obi Wan Kenobi.sen wrote:I'm sorry, remedial ??? Is this some kind of class?
And no, I've only just joined this forum because the book was published by Taxi.![]()
And yea I get all the rest of what you're saying, but the truth is the recommendations they wrote on the back of the book doesn't match up to the material inside.
I was over this a long time ago, but I do think that since this is a thread about the book people should actually know it doesn't live up to its own hype, or the recommendations Michael etc. gives.
I agree with what you say, it explains what other books/other people have said maybe in a better way, but it is NOT what itself says it is, so if you're thinking that just because Frederick has a lot of experience she knows some extra 'secrets' or 'shortcuts' or has something over say someone who has been writing for a year, you're wrong. She knows nothing more, and if you're at that stage I recommend you just keep writing and producing like you have been doing.
Reading her opinions will even mess up your songwriting head a little if you're an impressionable sort of person (and even if you're not, because that's a lot of pages=more reading time to be influenced by), though whether for good or bad I know not, depends on where your songwriting is at.
I don't think its worth what it/others say its worth, but I do think I got at least $20 worth out of that book.
Criticism is not a good argument for rejecting the book ( at least I think so, because you only express your given opinion ). But not everyone agrees with you. Fine you've expressed your dislike on the book and thats ok. I'm sure that if I was the author I'd be reading your criticism with interest. Not every book is polished to the T. I've been writing since I was 16 ( 26 now ) and I can tell you my first year was met with many chuckles of how bad my music was, but as the years progressed and the more study I did of great songwriters a la John lennon/Paul mc cartney and seeing what chords they used and how they structured their songs I progressed. But then coming to taxi in only 6 months and listening to all the advice from the likes of the books above I've learned that progress is always an ongoing thing in the business and I progressed even more then.
I often look at great songs on the youtube and see 14,000 likes and 528 dislikes. I often wonder where those people come from so I can pay them a visit ( just joking ) lol. But it does prove that not everyone likes the same thing and that's ok.
But according to a lot of members and non members of taxi the book is really helping them out in terms of progressing in their career and I think that would be enough for me to buy the book in itself.